by Caroline Lawrence, author of The Roman Mysteries
2. Unlike the heavy chariots used in most Hollywood depictions, (including all the Ben Hur films), racing chariots were very light and small. They needed to go as fast as possible, and were probably made of wicker and leather. Driving one would have been like surfing a basket on wheels.
3. Most chariots were pulled by ungelded stallions; two for a biga (2-horse chariot) and four for a quadriga (4-horse chariot). As many as 12 teams ran in each race.
|Re-enactor from Nîmes should have reins round his waist|
5. Chariots completed seven circuits, marked by dolphins (sacred to Neptune, god of the sea and also of horses) and eggs (sacred to Castor and Pollux).
|Charioteer of the Blue faction from Ostia|
7. Some charioteers began training while they were still children, and many stars of the hippodrome would have been in their teens.
8. A charioteer (or horse) who had won over a thousand races was called a miliarius.
9. Chariot racing was the most popular spectator sport in ancient Rome – even more popular than gladiatorial combats. Races were not held every day, but only on special occasions or festival days.
10. The Circus represented the Cosmos and every aspect of the hippodrome was symbolic:
The obelisk on the spina (central island) represented the sun.
The water of the euripus (canal in the spina) represented the sea.
The race track itself represented the earth around the sea.
The 4 faction colours represented the four seasons:
(red = summer, blue = autumn, white = winter, green = spring)
The 7 laps the horses had to run represented the days of the week.
The 12 carceres (starting gates) represented the months of the year.
The 24 races held per day represented the hours of the day.
(Yes, Romans divided their days into 24 hours, too)
11. Boys called sparsores had the dangerous job of running onto the track to sprinkle water on the track to keep down the blinding, choking dust. They got the water from the central reservoir and used pots, bowls or water skins to sprinkle it. It was a dangerous job and they sometimes got trampled.
12. The title of my 12th Roman Mystery, The Charioteer of Delphi, is based on a famous statue from Greece. But it was still buried at the time my book is set, so I couldn't refer to it in the story. Instead, I tell the story of how a Greek youth from Delphi named Scopas might have become Scorpus, one of the most famous charioteers in Roman history.
You can watch modern re-enactors playing with chariots HERE.
|illustration by Richard Russell Lawrence © Copyright Roman Mysteries Ltd.|
*At a conference in London in June 2014, scholar Tayfun Oner says this figure is far too big. He reckons the Circus Maximus could take only 100,000 people. You can watch his visualisation of a race in the hippodrome of Constantinople HERE.
Read about the only circus found in Britain (so far) HERE.
[The Charioteer of Delphi and all the Roman Mysteries are perfect for children aged 9+, especially those studying Romans as a topic in Key Stage 2. Carrying on from the Roman Mysteries, the Roman Quests series set in Roman Britain launched in May 2016 with Escape from Rome.]
P.S. This blog was updated August 2016 for the 6th screen adaptation of Lew Wallace's Ben Hur: A Tale of the Christ