"The Peacock Buckle Mystery"

Golden Sponge Stick 2010

Short Story Competition Results

Bryony from The Red Maid's School won third prize in the over 11-13 category for this
brilliant bath-house murder mystery set in the past and the future

An excerpt from "The Peacock Buckle Mystery"

...And Claudia, after the reassurance, slid into the pool and leant against the warm pool sides. The steam was gradually clogging up the room, the rays of golden sunlight blindingly bright against the misty air. Amica was appreciating the room, it's near silence, only the lapping of water and light splashing of Claudia's body gliding around.

Then there was a loud slapping sound that echoed about the steam pool. A footstep. A shadow formed in the steam, but it was so faint Amica couldn't even see if it was male or female. Claudia climbed out of the pool and slung a wet arm across her shoulder, lifting her dripping lips to Arnica's ear.

"The peacock belt."

Then the figure lunged out of the mist.

Screams were heard across the baths and Romans rushed about, following the sound of sheer pain. In the steam rooms, a crowd gathered. Lying on the floor was a young, naked woman and an even younger slave girl - who was ignored. They were lying in a pool of blood. Everybody knew the woman, she was Flavius' wife. Flavius was the friendly merchant but now his dear wife was lying, dead, on the floor.

The crowd was dumb-struck for a moment until another piercing scream filled the air. They turned as one to see the slave-girl lying on the floor, a stab wound in her arm. It was bleeding furiously, oozing out, delighted to be free of the containment of her small body.

Plantanius, one of Flavius'close friends, ran over to help her, "What's your name?" he asked.

"I... I am Amica," the small girl squealed, her breath ragged and uneven.

"What happened?" the man pressed, shaking her shoulders urgently, "Tell us what you saw, girl!"

"I saw..." images flashed past her eyes, too fast to make sense, but she needed to help her mistress before she died. Only one image lingered, "The... the peacock belt."

by Bryony Salter (12)

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"The Waking"

Golden Sponge Stick 2010

Short Story Competition Results

Lataetia from Oxford High School won third prize in the over 14 category for this
evocative story about tragedy in Roman Britain

An excerpt from "The Waking"

My feet began to slap the ground, as I shook the thoughts from my head. Searching. Searching for my wife, my son. My child, my love. My heart, and my soul, through the fire.

Huts were ablaze around me. Men, women, children, slumped on the ground, sometimes their faces cupped in the light of the fire, as it splashed the world orange, yellow, red.

There were shouts for help, everywhere.

I passed screams, I passed sobs.

I passed a woman clinging to a dead child, wailing, "Quintus est mortuus! Quintus, Quintus, Quintus." His name she crooned, as she held his body. 

My thoughts pulsed through my blood:

Julius, Julius, Julius...

I passed a bloody girl, sobbing in fright.

And I passed a child, clinging to a dead man, pretending to sleep too.

I was lost. Alone.

Julius, Julius, Julius...

Drowning in the hungry flames. I fell to the floor, remembering the gardens. Now all I could picture was a fountain, blood bubbling from its lips.

Julius, Julius, Julius...

I fell to the floor.

by Lataetia Mcevilly-Duncan

"Untitled"

Golden Sponge Stick 2010
Short Story Competition Results

Anastasia from Sancton Wood School won second prize in the 11 - 13 category for this
untitled story about a visit to the underworld with a blood-curdling twist at the end

An excerpt from "Untitled"

The horse reared high on its hind legs then crashed to the ground, with me under it. My vision was clouding, my mind slipping into a dark abyss and my last thought was that I knew I was falling into an eternal slumber. As I lay there listening to the muffled voices, a feeling of utter still washed over me and I heard my heart drumming in my ears. The beat was getting feeble. I was dying.

I awoke on a dirty riverbank. I was face down in the mud, and it was smeared on my face. I picked myself up and wiped most of the mud off with the back of my hand. The air around me was a thick mist, and I struggled to peer through the gloom. I stumbled forward, hands stretched out so not to walk into anything, when my toes just touched what felt like cold water. I fell to my knees and stared at the water, at my shimmering reflection. As I bent forward, my shoulder length blond hair skimmed the surface and as I watched the ripples dance before me a smell hit me like a fist to the face. I leapt back, crawling on my elbows away from the water. The smell terrified me; for it was the foreboding smell of death...

Anastasia Maseychik (12)

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"The Signifer"

Golden Sponge Stick 2010
Short Story Competition Results

Lucie from Sancton Wood School won second prize in the over 14 category
with a superb story in the tradition of Rosemary Sutcliffe's Eagle of the Ninth

An excerpt from "The Signifer"

Rain fell like tears from a blackened sky, as the troops marched out onto the field, awaiting the centurions' commands. The Signifer strode out in front of his expectant men, leading the line, with his standard flying high in the wind.

"It would be an honour," his mother had said when the recruiting cohorts came, "an honour to fight in the legions, for the Eagle and the Emperor." The young boy had studied her face as she made the comment, looking for the lie. Some how he didn't notice the tears in her eyes, or the silent pleas that she'd made to the legionary, as she handed over her14 year-old son, her beloved boy. He was given no choice, they had to go. The families of the new recruits waved them off, proud shouts and cheers ringed the air, giving both the families and the boys' false hope of returning, of coming home to their village one day.

The Signifer's hands stiffened as he heard the Cavalry line up on the west wing, the horses' chinking bridles invisible in the pelting rain and early morning mist. The horses grew restless within minutes, stamping their hooves and snorting. The unforgiving weather grew in velocity, hammering down on the Eagle's army. The unease was reflected in the faces of the men, the brave Legio II Augusta, Signifer's legion. The Signifer could just make out the features of the Legate, sat on his immaculate horse to the left of the large standard, dancing in the grey sky; tall, muscular and battle hardened, the Legate's face was set in a grimace as he peered through the unremitting rain. The Legate of Legio II Augusta was called Titus Flavius Vespasianus, known to the legion as Vespasian, one of the cruelest men, Signifer had encountered.

Lucie Meggitt (15)

"Amora & the Jewelry Mystery"

Golden Sponge Stick 2010
Short Story Competition Results

Emmanuelle from North London Collegiate won second prize in the under 9 category
I've chosen to post an excerpt from the end which includes a sponge-stick!

An excerpt from "Amora & the Jewelry Mystery"

Ivorus was a wonderful quick horse. He understood humans when they spoke. He was pure snow white with black patterns on him. He had a silky, black groomed mane that hardly ever got tangled. Everyone thought he was extraordinary...

They all clung to steady Ivorus. Ivorus got nearer to the sound. It got louder and louder. Everyone looked in front of them. There was the most hilarious sight. They had found the person they had been arguing with. There was no time to joke, they said to each other. Amora looked in the person's bag. There was the ring and necklace, as well as a slimy brown sponge stick. Then the person realized that they knew he was the thief and he apologized.

There was a celebration and everyone was happy. Amora was so proud of her beloved Ivorus. As for the sponge stick, a dog came and licked it clean. How disgusting! Then it was not used again. Thank goodness!

Emmanuelle Gelain-Sohn (8)

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"The Spectator"

Golden Sponge Stick 2010
Short Story Competition Results

Theodora from Berkhamsted School won second prize in the age 9 - 11 category
with this brutal twist-at-the-end story about murder & divine retribution

An excerpt from "The Spectator"

Although I cannot move or talk, I can do many, many things without those uses. People do not notice me while they talk, but I'm not invisible, whether it's everyday chit chat or top secret conversations, that could change Pompeii as we know it. Still don't know who I am? Well, keep guessing. I'm as big as the sky is wide, but stay in Pompeii averagely sized, a bit bigger than a human, but I'm not one. I have eternal life, and am very well known throughout Italy and Pompeii. This is the story of many little mistakes, causing one big one.

It was 79 AD, May 2nd to be precise and I was outside the forum (as always) just watching the Pompeiani go abut their daily lives. Caecilius was setting up his stall, farmers selling their produce and venalicius showing off his slaves to rich-looking citizens. Caecilius was a good man, a very articulate, kind and humble man. He always had his banking stall just by me every weekday. And, although he was a rich, busy man, he always had time to be a good pater to his son. It seemed like a fairly average day, just looking out for suspicious actions. I saw a sly shopkeeper called Cato spitting in a customer's drink. He got a bit of a shock when he fell down a well, being humiliated in front of every person in the forum. 'Curse the gods', he mumbled. At least he knew who had punished him. But, that was just the kind of thing that happened everyday. I hadn't really guessed what was coming next...

by Theodora Manson (12)

Scandal in Frisco! (1884)

from The San Franciscan March 1, 1885:

A woman passed along Kearny street, one afternoon this week, who attracted a good deal of attention.

People did not turn and look after her because she was very beautiful, famous for her genius, notorious for her misdeeds, or because she was doing anything unusual. She was just walking along on the proper side of the pavement, like the rest of the people. Her face was far from handsome, and not by any means bright. She was past the age when men compete for the favor of her attention. Yet this unknown, middle-aged, commonplace woman drew as much notice as if she had been a great actress or criminal.

She wore trowsers.

(Joseph T. Goodman, from The Sagebrush Anthology: Literature from the Silver Age of the Old West)

Golden Sponge-Stick Winners '10

I just got this exciting report from Jeremy Pine at Burgess Hill School for Girls and am posting it verbatim. I have put a selection of excerpts from the winning entries at the bottom of this post. Well done to one and all! Caroline x

Burgess Hill School for Girls Golden Sponge stick Competition 2010 report.

February 2011:

The 2010 Burgess Hill School for Girls Golden Sponge stick competition has  travelled truly internationally attracting a record 324 entries, including some from USA and Australia. The youngest entrant of four years old has also entered the fray this year!

A very pleasing fifty colleges and schools from a great diversity of backgrounds and geographical locations participated with some very entertaining and varied writing. Many thanks to those schools who continue to support this project so enthusiastically and also of course to all new entrants!

This time, stories were originally crafted with a wide range of themes. As well as the typically popular tales of gladiators, slaves and love affairs there were some intriguing new twists and turns. Fishbourne Roman Palace inspired a wonderful set of stories from Oxford High School, while peacocks and bears dominated the animal front this year, figuring ingenuously in the murder mysteries. The Roman Fates, the Underworld, Roman Imperialism and Peace all brought a fascinating dimension to the competition with evidence of impressive, meticulous research.

It is hoped that some of the fruits of these labours can be published for everyone‘s delectation, subject to receiving sufficient financial support. Watch this space!

Here are the winners and placings:

Under age 9 category:
1. Matilda Sidel, North London Collegiate School
2. Emmanuelle Gelain-Sohn,  North London Collegiate School
3. Madeleine Webster, St. Bede Church of England Primary, Winchester

Age 9-11:
1.  Sarah Camilleri, Ipswich Senior School
2.  Theodora Manson, Berkhamsted School
3.  Charley Broomfield, George Abbot School

Age 11 - 13:
1.  Mia Forbes, Nonsuch High School for Girls
2.  Anastasia Maseychik, Sancton Wood School, Cambridge
3.  Bryony Salter,  The Red Maids’ School, Bristol

Age 14 and above:
1. Charlotte Robson , Sherborne Girls’ School
2. Lucie Meggitt,  Sancton Wood School, Cambridge
3. Lataetia Mcevilly- Duncan, Oxford High School

Best International Entry :
Angela Choi, Pymble College, Australia

List of participating schools and colleges:
Beaconsfield High School, Berkhamsted School, Brentwood School, Burntwood School, Cambridge International School, Chelmsford County High School for Girls, Easton High School, Easton, USA, Ellesmere College, Emanuel School, Battersea, Fakenham College, George Abbot School, Hall Grove School, Hammond School, Henrietta Barnett School, Ipswich School, King Edward’s School, Witley, King Henry VIII, Coventry, Magdalen College School, Oxford, Monkton Combe Senior School, Moreton Hall Preparatory School, Mount Saint Mary Academy, West Watching, USA, Newcastle Royal Grammar School, Nonsuch High School for Girls, Northampton High School, North London Collegiate School, Norwich High School, Oxford High School, Pymble College, Australia, Queen’s Gate School, Roedean School, Rokeby School, Kingston, Royal Grammar School, High Wycombe, Sancton Wood School, Cambridge, Sherborne School for Girls, St Albans School for Girls, St Bede Church of England Primary, Winchester, St Edmund’s School, Canterbury, St James Senior Girls’ School, St Mary’s Senior School, Cambridge, St Paul’s Girls’ School, St Philip Howard RC School, Barnham, The King’s School, Gloucester, The Lady Eleanor Holles School, The Mall School, The Red Maids’ School Bristol, Wellington Senior School, Woodford County High School.

Special thanks:
To my family, Association for Latin Teaching, Barbara Johns, Burgess Hill School for Girls, Caroline Lawrence, Cambridge Latin Course project , Classical Association (for sponsoring the prizes), Friends of Classics, Joint Association of Classical Teachers, Lorna Robinson and the iris project, Mary Beard, Oxford University Classics Outreach, The Classics Library.          

Here is to the 2011 competition!

Jerry Pine
Classics Department
Burgess Hill School for Girls

Caroline chose these excerpts from the first place winners in all four categories:

Golden Sponge Stick 2010
first place under 9s

Matilda from North London Collegiate won first prize in the under 9 category
with this atmospheric conspiracy story involving twins and a plot against Titus

An excerpt from "The Numerus Twins"

Alca hurried back to Cassia, looking very distressed.

"The senators are going to do something dreadful," she cried.

"What is it?" chorused the twins anxiously.

"I - I don't know," she spluttered. "But whatever it is, it is to do with Emperor Titus," she gasped before collapsing into a seat. They were back in Laurentum, in the Villa Delphina.

"Were the Numerous Twins there?" asked Cassius, pestering the exhausted girl with questions.

"Cassius, she's too tired. Leave her to rest and then she'll tell you all about it," advised Myrtilla, the cook, a pleasant, plump woman who always knew best.

Alca sighed in relief and gave Myrtilla a grateful nod, which the cook responded to with a silent gesture as if to say, "Don't mention it."

Alca woke up with the midday sun blazing forcefully into her eyes. She yawned drowsily and started to get up. Now she would tell Cassia and Cassius everything.

As Alca entered the room, Cassius explained to her, "We know what happened, Alca. You were talking about it in your sleep. Cassia and I both agree with you that something must be done." Alca shrank back, ashamed to have been talking in her sleep. Seeing this, Cassia placed a comforting arm around her shoulders.

"We need to inform the Emperor Titus. He knows us and trusts us," she suggested.

"We should have more information before we tell anyone," Cassius protested.

"No. Let's warn the Emperor first, to prepare him. Otherwise it might be too late," concluded Alca.

"True," said Cassia. "I like the sound of that."

Cassius thought for a while before nodding in agreement.

Then, as if on cue, they cried out in unison, "Let's do it!"

Cassia continued, ''Pater is going to visit the Emperor soon! I could try to persuade him to let us come with him, and then we could carry out our plan! Perfect!" she finished, her eyes lit up with excitement.

"Now this is the hard bit," Cassia thought to herself grimly. "Persuading pater..." 

She walked into the room of the paterfamilias trying to swallow her dread, even though her lip was trembling.

Matilda Sidel (8)

Golden Sponge Stick 2010
first place 9 -11

Sarah from Ipswich Senior School won first prize in the age 9 - 11 category
with a powerful story about fate, loss & death:

An excerpt from "Love's Strong Pull"

It was the Summer Solstice, and every good Roman citizen knew what that meant. Every Summer Solstice the Fates decide to gamble on a certain human being and decide his or her destiny. That is what the Fates are for I suppose - they decide your luck once and for all. That Summer Solstice they picked a certain Octa Octavius.

Octa Octavius had jet black hair, a dark olive complexion and eyes the shade of chocolate. The day she died was a somewhat unusual day. She and her mother walked down to the forum to get some food such as stale bread and olives. Then suddenly Octa Octavius dropped down on the floor and stopped breathing for no apparent reason but her mother knew perfectly well what had happened - for she was a Fate...

Sarah Camilleri (11)

Golden Sponge Stick 2010
first place 11 - 13

Mia from Nonsuch High School for girls won first prize in the age 11-13 category for a
well-researched story about conspiracy & love in the court of Titus that could be expanded to a novel:

An excerpt from "Slave-girl"

Slave - the word I've been called all my life, my title, my name. The are many like me, all of us waking up just to go back to sleep. Although I pray to the Gods every night, Fortuna does not smile on me, she taunts me. Every day I must endure watching my mistress in her elegance; she does nothing except enjoy the luxurious parties her husband throws. At these events my mistress and her husband must always stand out, being the empress and emperor, and that is where I come in. If I were to make all her wildest dreams come true, I doubt I would be praised and yet if I do the slightest thing not to her impeccably high standard I should be beaten, and even sold if my mistress was in one of her rages. Marcia Furnilla and her husband, Emperor Titus, were my owners, they controlled me, at one word from them my life could end or in one moment of kindness I could be free forever. What it would be like to be free! Never having to run to Marcia when she needed her sapphire necklace! Never having to change her meals because she was allergic to peacock. Although it seems Fortuna hates me, Venus shields me with her protection for I am truly in love. Mariano, a slave like me, a coquus, is the one thing that stops me from screaming out loud during Marcia's boasts of all the wonderful social events she attended recently. Although, he doesn't know the thought of him fills me up with an emotion hard to explain, he considers me a friend. He believes he's in love with Marcia, but I know that is just an illusion, I know he cannot love her. Not her.

Mia Forbes (13)

Golden Sponge Stick 2010
first place 14+

Charlotte from Sherborne Girls' won first prize in the age 14+  category for
a moving, atmospheric & compelling story that reveals its truth bit by bit

An excerpt from "Pax Romana"

We remember that morning. We remember the dawn pulling back the night's black shroud and turning the sky to gold as myriad voices rose to greet the coming of the new day. Drums beat their throaty rhythms and the high call of the flutes danced on the wind, as light as a feather, and yet as strong and powerful as the earth of which it spoke. Faces, indistinct in the gloom, slowly began to emerge from the shadows. A ridge of a nose here, the gleam of an eye there, strands of hair streaming out and twisting together in the breeze; raven black to blazing red and a thousand shades in between. Faces and arms were daubed with intricate spirals and markings, each as individual as the faces of those to whom they belonged. The eyes of the singers were weary, for it had been a long night of song, dance and thanksgiving. Hands that had blazed trails of fire through the night sky now hung limply beside ash-smeared flanks, and many of the elderly rested their heads against the shoulders of their younger companions. However, the song never wavered and as the dawn drew closer the melodies rose ever higher into the bright air. That morning was a morning of song.

Reverent hands reached out and stroked our sides, laying offerings of sweet herbs mixed with the salty tang of lamb's blood at our feet. We heard the whisper of the grass, saw the dew gleaming on the feet of the swift-footed dancers and the marks in the earth where the torches had burned away at the soil. Soft voices whispered to us; prayers, thanks and honours reserved for us alone. They looked up to us, their link between their world and that of the immortals, and they prayed that we would forever watch over them. And watch over them we did, for these were our people; our singers, our dancers, our brethren and our children. We had stood over them since before the birth of even the most ancient among them, we had watched their three-times great grandsires grow from mewling infants into wizened elders. We were as old as the very plain on which we stood. Those who raised us up had long since passed away, their bodies returned to the earth and their spirits flown on to the Otherworld, but we remained. We remained there as we had always done, unchanged by the hand of man and time. But today, change was upon us at last.

Charlotte Robson (15)

There is still plenty of time to enter the 2011 Golden Sponge Stick Competition.

Themes & Topics

Themes and Topics in the Roman Mysteries

compiled by the author herself: Caroline Lawrence

These are the various themes and topics I had in mind while writing the Roman Mysteries. But writing is as much an intuitive right-brain exercise as a logical left-brain one. In other words, even the author doesn't always know everything he/she is doing. So if you think you've seen something new or different, you are probably right!


Book 1: The Thieves of Ostia (theme: fear of the unknown)
Roman topic: introduction to a Roman town (Ostia port of Rome) & Roman social structure.
Real historical characters: Cartilius Poplicola (resident of Ostia attested in inscriptions)
Sources: The Aeneid, the Bible, Ostian inscriptions
Greek myths: Aeneas, Cerberus, Perseus and Medusa
featured food: snails, stuffed dormice, dates, fruit
key artefacts and objects: signet ring, wax tablet & stylus, oil lamp, tombs, amphoras, quartz dice
ROMANS Key Stages 2 & 3 - relevant blogs: How to Make a Stola, A Day in Ostia

Book 2: The Secrets of Vesuvius (theme: parentage & adoption)
Roman topic: the eruption of Vesuvius and destruction of Pompeii & surrounding towns
Real historical characters: Pliny the Elder, Titus Tascius Pomponianus, Rectina
Sources: Pliny the Younger, Pliny the Elder, Catullus, Ostian graffito
Greek myths: the return of Vulcan, Thetis, Achilles
Roman festivals: Vinalia, Vulcanalia
Pliny's simple fare: cheese, fruit, eggs; Tascius's rich fare: turbot in dill sauce
key artefacts: scrolls, portable inkpot & pen, flute, pan-pipes, parasol, cushions

Book 3: The Pirates of Pompeii (theme: slavery & freedom)
Nubia's book
Roman topic: Patrons and clients, slaves and freedmen
Real historical characters: The Emperor Titus, Pollius Felix (attested in a poem of Statius)
Historical site: the villa of Pollius Felix on the Cape of Sorrento, Scraio (spa town near Sorrento)
Sources: Pompeian graffiti, Statius's 'Silvae' (poems)
Greek myths: Dionysus and the pirates, Ariadne & Theseus
food: lemons (recently introduced); goat stew, flat bread, chickpeas, mineral water, sage tea
key artefacts: earrings, hairpins, theatrical masks, lyre, flute, kylix (Greek drinking cup)

Book 4: The Assassins of Rome (theme: guilt)
Jonathan's book
Roman topic: Nero's golden house, the destruction of Jerusalem, Jewish slave labour, chariot races
Real historical characters: Emperor Titus, Berenice, Domitian, Josephus
Sources: Suetonius, Cassius Dio, Homer, Josephus, the Bible
Greek myths: Odysseus, Polyphemus the cyclops, Penelope the faithful wife
Jewish festivals: Rosh Hashannah, Yom Kippur, Succot
featured food: exotic oranges; buttermilk; honey dipped apples for Rosh Hashanna
key artefacts: wax tablet & stylus, alabastron, loom & weights, bass lyre, tambourine

Book 5: The Dolphins of Laurentum (revenge & forgiveness)
Lupus's book
Roman topic: a real maritime villa, sponge-diving on the Greek islands
Real historical characters: Pliny the Younger
Sources: Pliny the Younger's letter about his Laurentum villa (letter II.xvii)
Greek myths: Medusa, Arion & the dolphins, Neptune & Amphitrite
Roman festival: Meditrinalia
featured food: honey glazed prawns, chicken soup
key artefacts: sponge-stick, sea-sponges, dolphin earrings, anchors, ball games

Book 6: The Twelve Tasks of Flavia Gemina (love & marriage)
Flavia's book
Roman topic: Love, betrothal and marriage in first century Rome
Historical site: notable buildings in and around Ostia
Sources: Ostian inscriptions, Ovid, Martial, Apollodorus
Greek myths: Twelve Tasks of Hercules, Pygmalion, Cerberus, Atalanta
Roman festival: Saturnalia
food: lentil stew, eggs, plums, oysters, mushrooms, quail pie, boar, ostrich, love potion!
key artefacts: sigilla (figurines), dice, objects in household shrine, strigil & bath set

Book 7: The Enemies of Jupiter (theme: hubris)
Jonathan's book
Roman topic: medicine and doctors in first century Rome
Real historical sites: Tiber Island, Palatine Hill, Capitoline Hill and the Temple of Jupiter
Sources: Suetonius, Cassius Dio, Galen, Pliny the Elder, Hippocrates
Greek myths: Prometheus & Pandora, Aesculapius, Niobe and her children
featured food: food for medicinal properties, light, medium & heavy foods, etc
key artefacts: bleeding cup, votive parts of the body, medical instruments

Book 8: The Gladiator from Capua (theme: blood & sacrifice)
Nubia's book
Roman topic: gladiators, beast-fights and the opening of the Colosseum in spring of AD 80
Real historical sites: the Flavian Amphitheatre (the Colosseum), Domus Aurea, Mons Testaccio
Real historical figures: Titus, Domitian, Carpophorus the beast-fighter, Martial
Sources: Martial, Suetonius, Cassius Dio, Ovid, Statius, Seneca, Pliny
Greek myths: Orpheus, Ganymede, Prometheus, and more
Jewish festival: Passover
featured food: barley porridge for gladiators, snacks sold at games, etc.
key artefacts: gladiatorial arms & armour, ancient souvenirs, lottery balls thrown to crowds

Book 9: The Colossus of Rhodes (theme: vows & promises)
Lupus's book
Roman topics: the seven wonders of the world, ancient 'tourism'
Historical sites: Rhodes, Symi , Kalymnos
Sources: Pliny the Elder, Apollonius of Rhodes, Homer
Greek myths: Jason and the Argonauts by Apollonius of Rhodes
GREEKS KS2 & 3 - relevant blogs: Colossus of Rhodes, Ancient Gum, Hylas

Book 10: The Fugitive from Corinth (theme: jealousy)
Nubia's book
Roman topics: Greeks in the Roman world
Historical sites: Corinth, Delphi, Athens
Sources: Pausanias, Apollodorus, Herodotus, Aeschylus
Greek myths: Theseus's Athenian adventures, Eumenides

Book 11: The Sirens of Surrentum (theme: sex & decadence)
Flavia's book
Roman topics: Roman philosophy and the failed plot to kill Nero
Historical characters: Nero, Seneca, Lucan, Polla Argentaria, Flaccus
Sources: Seneca, Lucan, Suetonius, Tacitus, Statius, Propertius
Greek myths: Dido and Aeneas, Odysseus and the Sirens
ROMANS KS3 - relevant blogs: Villa Limona, Serendipity in Surrentum, Poison
(N.B. THIS BOOK CONTAINS ADULT THEMES)

Book 12: The Charioteer of Delphi (theme: faithfulness)
Nubia's book
Roman topics: chariot races and factions
Historical site: the Circus Maximus
Historical characters: real charioteers like Scopas, Hierax and Crescens
Sources: Ovid, Juvenal, Martial
Greek myths: Pelops and Oenomaus
Roman festivals: Ludi Romani
ROMANS KS2 & KS3 - relevant blogs: Fun Chariot Facts, Roman Horse Names

Book 13: The Slave-girl from Jerusalem (theme: death & birth)
Jonathan's book
Roman topics: childbirth, funerals, wills, Roman law courts, gestures of a rhetor
Historical backstory: destruction of Jerusalem and siege of Masada
Sources: Josephus, Quintilian, Cicero, Juvenal, Seneca, Roman legal documents
Greek myths: Jason and the Argonauts by Apollonius of Rhodes
featured food: pea and leek soup, mastic chewing resin, sage tea, chestnut flour
key artefacts and objects: birthing chair, funeral pyre, bier, tombs, seal-box for wills

Book 14: The Beggar of Volubilis (theme: piety)
Flavia's book
Roman topics: Roman theatre, Cleopatra's descendants, sightings of Nero
Historical sites: Sabratha, Tripolis, Volubilis, Ghadames
Sources: Strabo, Pliny the Elder, Plutarch
Greek myths: Diana and Actaeon
featured food: millet porridge, roast locusts, lizard meat, camel-milk pancakes, senna tea, cola nuts
key artefacts and objects: bow, arrows, quiver, betrothal ring, bath-set, Nero's emerald, lens
EGYPT KS2 & KS3 - relevant blogs: Volubilis, Ugly Cleopatra

Book 15: The Scribes from Alexandria (theme: going home)
Nubia's book
Roman topics: Roman Egypt especially Alexandria, eunuchs, the Great Library, the Nile
Historical sites: Canopus, Alexandria, Giza, Edfu, Aswan, Nubia
Sources: Strabo, Martial, Juvenal
Egyptian myths and legends, including story of Isis, Osiris and Seth
featured food: sun-bread, bean porridge, palm wine, onions, leaf-cups, dom-fruit
key artefacts and objects: hieroglyphs, graffiti, riddles, codes, treasure map

Book 16: The Prophet from Ephesus (theme: redemption)
Jonathan's book
Roman topics: early church in Asia Minor
Historical sites: Halicarnassus, Ephesus, Hierapolis, Laodicea, Heracleia
Historical characters: St John the Evangelist, Tychichus
Sources: Strabo, the New Testament
Greek myths: Pluto and Persephone, Endymion and Selene
featured food: grapes from the vine, cucumber, sour cherry juice, sheep entrail kebabs, pomegranates
key artefacts and objects: dolls, travel baskets, reed flute, lyre, carpets, looms

Book 17: The Man from Pomegranate Street (theme: resolution)
Flavia's book
Roman topics: mysterious death of Titus in September AD 81
Historical sites: Rome, the Sabine Hills, Palace of Domitian and the 'Emissario' on Lake Albanus
Historical characters: Titus, Domitian, Ascletario, Gaius Valerius Flaccus, Gaius Suetonius Tranquillus
Sources: Suetonius, Babylonian Talmud, Apollonius of Tyana
Greek myths: Romulus and Remus, Rape of the Sabine Women, Death of Odysseus
featured food: Sabine olive oil, brown bread, honey, grapes, imported oysters
key artefacts and objects: needle-sharp stylus, graffiti, wedding veil and the spear to part the bride's hair

[The Roman Mysteries books are perfect for children aged 9+, especially those studying Romans as a topic in Key Stage 2. You can watch a television adaptation of some of them on Amazon Prime. For more information about Caroline's other books, go to carolinelawrence.com.]

A Day in Ostia

A Day in Ostia Antica: the ancient port of Rome

NB: The site of Ostia Antica is open almost every day of the year, EXCEPT Mondays

I first visited the site of Rome's ancient sea port one summer afternoon when I was a sixteen-year-old high school student on a study-tour from California. Like almost everyone I know who has visited Ostia, I fell in love with it. I wanted to go back in time so that I could wander its streets, watch a play in the theatre, visit one of its many baths complexes. That afternoon in Ostia was one of the experiences that prompted me to study Classics and become a Latin teacher. A few decades later, when I began planning my series of children's mystery stories set in ancient Roman times, I decided to have my main characters live in Ostia.

In Roman times Ostia would have been a busy port town, exotic and lively, brimming with people from all over the Roman empire: Greeks, Egyptians, Nubians, Jews, Syrians and Gauls. In the first century AD, Ostia's main function was to receive grain from Egypt and Sicily and to ship it on to Rome and its one million inhabitants. This grain was stored in Ostia's many warehouses and sometimes made into bread before being transported by barge along the winding Tiber to the capital city, fourteen miles away. In addition to the usual residents of a first century Roman town there would have been sailors, stevedores, ship-owners, storehouse managers, customs officers, rope-makers, sail-makers, and plenty of unsavoury types. When I asked one Classical scholar what ancient Ostia would have been like, he replied 'nowhere to bring up my child if I could avoid it!'

Today, Ostia is no longer bustling and dangerous, but quiet and peaceful. Over the past two thousand years the mouth of the Tiber has silted up, pushing the coastline away from Ostia. The site is landlocked and long deserted. Wandering around its ruins, you will find the remains of baths, temples, houses, shops, taverns, latrines and even a theatre. You can see traces of frescoes on the walls, half standing columns, marble thresholds and millstones from bakeries. One of the most distinctive features of Ostia are its black-and-white mosaics. They are everywhere.

Although Ostia is not as well-preserved as Pompeii, it's much more accessible (a single one way ticket will take you all the way from Rome) and much less crowded. If you are based in Rome, an excursion to Ostia is the perfect day trip. Wear a sunhat and trainers, and dress in layers. Ostia can be cool and foggy in the morning and blazing hot by the afternoon. From Rome, take the metro's Linea B to the stop called Piramide, then change by going up the escalator and down the steps into Porta San Paolo station for the 'light railway' to Ostia Antica. The last station on the Rome-Ostia line is Cristoforo Colombo. (Ostia Antica is the stop after Acilia and before Ostia Nord.) Get off at Ostia Antica and go out of the station and over the blue footbridge. Continue straight along a residential street and carefully cross the busy road on a blind curve opposite the restaurant called Allo Sbarco di Enea. Go past the restaurant (which will be on your right) and follow the road to the parking lot and ticket kiosk. For more detailed instructions go HERE.

Parents travelling with children might enjoy THIS ARTICLE by Nick Trend, a dad who took his children to Ostia.

Allo Sbarco Di Enea - The first thing you notice on your right, after crossing the main road, is a restaurant with chariots parked in its vine-shaded courtyard. Peer through the fence and you'll also notice statues, frescoes and a fountain. This is a touristy but fun place where all the waiters wear tunics. It's called Allo Sbarco Di Enea, which means 'Where Aeneas Got Off'. Aeneas was the Trojan hero who fled his burning city and eventually settled in Italy to become the father of the Roman people. The food is mediocre and the place only comes alive after 9.00pm - Italians eat late - but it can be a fun experience if you go with a big group.

The Thieves of Ostia, first in the Roman Mysteries series

Umbrella pines - Something else you notice about Ostia even before you enter the site are the pines. With their rough textured bark in shades of caramel, nutmeg and honey, their lofty fragrant canopies provide homes to chittering birds in winter and spring, chirring cicadas in summer and autumn. These trees offer cool shade in the summer and shelter from rain in the winter. Today, there are thousands of these beautiful trees in and around Ostia, making it one of the greenest suburbs of Rome.

The umbrella pine - pinus pinea - was a striking feature of the Italian coast even in Roman times. Pliny the Younger says the cloud emerging from Vesuvius looked like an umbrella pine, ie. a trunk-like column of smoke rising up and then flattening out at the top. Of course there are other trees in Ostia: cypress, poplar, oak, mimosa, myrtle, oleander and other species of pine, but for me the umbrella pine is Ostia's trademark. In my first book, The Thieves of Ostia, Flavia, Jonathan and Nubia catch their first glimpse of Lupus when he is trapped up one of these Ostian pines by some wild dogs. Today you can still see (tame) dogs lolling in the dappled shade among the tombs.

The Tombs - Romans were not allowed to bury their dead within the city but to made sure their departed relatives and friends were as close as possible, they placed tombs along main roads right up to the town walls. So tombs are the first thing you'll see when you enter the site of Ostia. They are fascinating, but leave them for later. Lupus, the youngest member of Flavia's gang, lived wild among the tombs of Ostia for two years after he escaped the clutches of Venalicius the slave-dealer.

The Roman Gate - There's not much left of the Porta Romana. In Flavia's time it would have been an impressive arch, faced with marble and flanked with statues of Victory and Minerva. Once you are 'inside' the town walls, look ahead and to the left. Beneath some umbrella pines, you can still see a long water trough for the thirsty mules that pulled carts to and from Rome. It is under the shade of those very trees that Flavia approaches two gaming cartdrivers to arrange transport from Ostia to Rome in The Assassins of Rome.

The Baths - The Romans loved their baths. In Flavia's time Ostia had a population of about 20,000 making it a relatively small town. But it was served by no less than 18 public baths complexes. Before you carry on down the main road, have a look at my favourite baths in Ostia: the Cartdrivers' Baths. You'll find them on your right, opposite the mule trough. Walk behind the remains of storehouses until you reach the modern tree-lined road giving access to archaeologists and site workers. Also known as the Termii Cisarii, the Cartdrivers' Baths were exclusively for the muleteers who drove carts to and from Rome. Look for the delightful black-and-white mosaic of four mules with their names written beside them. If you've read The Assassins of Rome, you'll know what their names mean: Pudes (Modest), Podagrosus (Lame), Barosus (Dainty) and Potiscus (Tipsy).

The Decumanus Maximus - Go back to the main road and carry on past the ancient shopping arcade towards the Baths of Neptune with their impressive black-and-white mosaics of tritons and sea-nymphs. A platform here gives a wonderful view not only of the mosaics but of the whole site. This road is the main road of Ostia and it's called the Decumanus Maximus. As at Pompeii, you can see the ruts made by a hundred thousand carts which carried grain and other goods to and from the port. (The round wishing-well in the centre of this road is medieval. Ignore it.) The Decumanus Maximus will take you past brick granaries and the marble theatre to Ostia's forum. Lupus runs down the Decumanus Maximus in The Assassins of Rome when he is trying to catch a cart and he almost knocks over a slave carrying a jar of urine. This liquid was very useful in the cleaning and bleaching of cloth, so ancient laundries (known as the fullers') would not have smelled very pleasant.

The Theatre - This was the one of the first buildings in Ostia to be excavated, over a hundred years ago, because its ruins were visible, poking up above ground. It has been heavily but accurately restored. As you enter beneath a cool arch, look up to see the elegant stucco decorations on the ceiling. In Flavia's time, the theatre held 2,500 people. Today it attracts cats, doves, wood pigeons and tourists of all nationalities. 

I was sitting here in May of 2000 eating pistachio nuts and an apple when I saw a party of Italian schoolgirls skipping rope on the grassy disused stage. One of the girls reminded me of Flavia. The mosaic portrait of Flavia on the front of the British editions is based on a drawing I made from my photo of Francesca. Sometimes, plays are still put on here in the summer months. Information and tickets can be obtained from the Ostia ticket kiosk at the entrance to the site. For more information check the Official Ostia website.

This elephant marks the office of beast importers of Sabratha

The Forum of the Corporations - located directly behind the theatre, this large complex was built on several storeys around a temple of Ceres. This is where guilds (or 'corporations') of ship-owners, marine-suppliers, importers and grain-traders had their offices and did business. Shaded by ancient umbrella pines, the delightful black-and-white mosaics illustrate the different offices. Elephants, boar, tigers marked the offices of wild beast importers, ships and images of Ostia's famous lighthouse indicated ship owners, and baskets with their leveling rods were for the grain-traders. Flavia and her friends come here in search of clues and interview a wild beast importer in The Twelve Tasks of Flavia Gemina.

The Forum - Go back to the Decumanus Maximus and into the forum, the main business centre of ancient Ostia. Here the dominating landmark is a big brick building atop a stepped platform. This temple to the Capitoline triad - Jupiter, Juno and Minerva - would have been faced with marble to cover the brick. Called the Capitoleum, this temple would have had a treasury in its basement. It is in the shadow of this temple that the evil slave-dealer Venalicius parades his slaves -- including the beautiful young Nubia -- in The Thieves of Ostia.

The Basilica - to the right of the Capitoleum - if you are standing on its steps looking out - is the Basilica of Ostia. Every Roman town had a basilica to house law-courts and magistrates' offices. Ostia's junior magistrate Marcus Artorius Bato works here. Flavia first meets him in The Thieves of Ostia but he appears again in later books to help the four with their investigations.

The Temple of Rome and Augustus - opposite the lofty red-brick temple of Jupiter, Juno and Minerva you will see the remains of the temple of Rome and Augustus. Flavia and Nubia come here in The Twelve Tasks of Flavia Gemina and find a clue in the face of the cult statue of Rome, personified as a beautiful Amazon with her foot on the globe of the world.

Roman Toilets - while you're in the Forum, don't miss Ostia's most amusing landmark, the twenty-four seater forica or public toilets, near the Temple of Rome and Augustus by the Forum Baths. Ancient Romans did their business right next to each other, with no doors or dividing walls. They sat chatting, gossiping, even extending dinner invitations. The holes on top of the cool marble bench are for the obvious thing. The holes at the front are for the sponge-stick, ancient Roman toilet paper. When you finished wiping your bottom with it, you put it in a basin of water for the next person to use! Lupus has obviously never been here, or he'd know a sponge-stick is not for beating a drum as he thinks in The Dolphins of Laurentum.

Shrine of the Crossroads - just past the Forum, the Decumanus Maximus ends in a fork. Crossroads were sacred places in Roman times and there was a temple here, where two lofty cypress trees stand today. Lupus comes here one cold December dusk during the festival of Saturnalia, and he makes some exciting discoveries.

The Museum - Ostia's museum only opens in the morning but doesn't take long to explore, so make sure you have a quick look before lunch. Ostia's finest statues have been brought here to keep them safe from robbers and from the elements.

The Bakeries - near the museum you can find a relatively well-preserved bakery. Ostia was the bread-basket of Rome. Huge shipload of grain from Egypt and Sicily were stored in beautiful red-brick warehouses before being towed on mule-powered barges up to Rome. Sometimes the grain was made into bread before it was transported, hence the many bakeries in Ostia. Notice the distinctive hourglass mills (grain grinders.) These would have been operated by blindfolded donkeys going round and round for hours. You can still see the circular trace of their hoofprints in the herringbone pattern of the brick floor. The Code of Romulus is a Roman Mystery short story partly set in an Ostian bakery.

The Synagogue - Built in the middle of the first century AD, this one of the oldest in the world. You will find it at the edge of the site, near perimeter fence. See the modern highway? That's where the ancient shoreline would have been. In fact, as you pass Ostia in a car, the synagogue is the building you can see most clearly. All that's left of it today are a few pillars and blocks of marble, but you can see Latin inscriptions in some of the marble paving stones. In spring swifts and swallows swoop in the warm air feasting on tiny bugs, and you can see butterflies fluttering among the columns and minuscule red spider mites on the coloured marble floor. Jonathan and his friends seek refuge in the synagogue when they are being chased by slave-dealers in The Thieves of Ostia. Later, in The Gladiators from Capua, the friends 'borrow' a disused cube of marble from beside the synagogue to make a tomb.

Flavia's house - Use your map to find your way through the long grasses from the synagogue towards the Laurentum Gate. Here in a quieter residential area of Ostia (these houses date from the time of Julius Caesar) you'll find the residence of Cartilia Poplicola, a young Roman widow who fancies Flavia's father. Moving back towards the entrance of the site, parallel with the Decumanus Maximus, you'll find a fullers', a mithraeum and more storehouses. What you won't find is Flavia's house, or Jonathan's, or even Green Fountain Street. I made a conscious decision to have my characters live in an unexcavated part of the town. One day I hope they'll build a life-sized reconstruction of their houses - complete with Roman frescoes, fountains, mosaics, furniture and fittings. Until then, you can sit in the shade of an umbrella pine munching olives, cheese and bread. Imagine that you are sitting in the tablinum (study) of Flavia's father, looking into the inner garden. (Another route to the site of Flavia's house is the little side road leading off the Decumanus Maximus just before the theatre.)

If you haven't brought a picnic lunch you can go back to the new snack-bar near the Museum. Here you can eat a delicious pasta or salad at parasol-shaded table on a pleasant terrace only a stone's throw from the Tiber River. Just the other side of this sunny courtyard is a bookshop where you can buy guide books and souvenirs, including a kit to make your own black-and-white mosaic of a dolphin. Oh, and the (modern) toilets are here! After lunch, explore the site. Let your feet guide you. Lose yourself in Flavia's world. Look out for landmarks from The Twelve Tasks of Flavia Gemina: inscriptions mentioning Cartilius Poplicola, a covered fountain, a many-spouted fountain, baths, stables and - near the Capitoleum - the wonderful Inn of Diana, just like the one where Lupus games with some men in a little courtyard.

Ostia Lido - After a day exploring Ostia, treat yourself to an ice cream and orangina down by the sea. Lido Centro (Central Beach) is only one more stop on the train line. Walk from the train station down to the seafront where you'll find dozens of beachside cafés with roofs of slatted bamboo and further north a marina with shopping. In the summer months its very lively here in Lido Centro, this is where modern Romans come to cool off. Off-season it's deserted, but you can still find somewhere to sit and wonder at how brave Roman sailors were. On blustery spring days the wind marches whitecaps across the brown water and makes the canvas awnings flap and crack. It was on this beach, or its ancient equivalent, that Flavia and her friends rescued Pliny the Elder, and received a Latin riddle that would set in motion an exciting adventure in The Secrets of Vesuvius. And of course the port plays an important part at the end of the last book of the series, The Man from Pomegranate Street, when the friends sail away for new adventures.

Caroline Lawrence on the beach at Ostia Lido (a few miles from Ostia Antica)

Some of the photos on this site are from The Roman Mysteries TV series. The rest are mine!

[The Roman Mysteries books are perfect for children aged 9+, especially those studying Romans as a topic in Key Stage 2. Viewers in some regions can watch season one of the Roman Mysteries on iTunes. For more fun things to do in Ostia, Rome and Pompeii, download the Roman Mysteries Travel Guide to your Kindle or tablet. Carrying on from the Roman Mysteries, the Roman Quests series set in Roman Britain launched in May 2016 with Escape from Rome.]