Showing posts with label names of horses in Roman times. Show all posts
Showing posts with label names of horses in Roman times. Show all posts

Saturday, September 22, 2007

Ancient Roman Sofia

Russian Church, Sofia
Whenever I travel, I always try to look for remnants of the past. At the moment – September of 2007 – I am in Sofia, Bulgaria. My reason for coming is to spend a few days watching the filming of the second season of the Roman Mysteries TV series at Boyana Studios. Filming stops for the weekend so I have two free days. As I occupy my time exploring the capital of Bulgaria, I look for traces of this city's Roman past. Here are some ways I find the past in the present.

1. The food.
Food is always a good way to go back to Roman times, or at least to get you thinking about it. Today it starts at breakfast with the hotel buffet. I help myself to olives, cucumber, wholemeal bread and white cheese. This is a Roman breakfast, I'm sure of it! And it's delicious.

Sofia subway roman tombstones
2. The physical remains.
I try to go to the Sofia Archaeological Museum to see some Roman artefacts; that's always a good way of bringing the past closer. But they're filming a movie with Martin Sheen in the square out front, so it's closed. But then I unexpectedly come across part of the Roman walls in an underpass. There are some columns and tombstones here. The Romans were here of course: this was Thrace.

3. The way people look.
I often sit at a cafe and watch the natives and try to imagine them in Roman garb. It's easy to imagine some of the Bulgarians in rough tunics; most of them seem like farmers and peasants: the plebs. You don't see as many 'patrician-types' as you do in Rome or Naples.

Sofia Women's Market
4. Markets and/or souks. The Women's Market here in Sophia really takes me back in time. Market stalls are divided into sections: from onions and herbs to chains and cogs. There is a clothes market, a flower market, a herb market, veg market, fruit market, fish market, a honey market. You can buy books, olives, cheeses, sweet peppers. People have obviously come in from the villages or suburbs to sell their produce, just as they would have on market days in Rome. Over there an old lady in a headscarf has brought in some herbs from her garden. Here a weathered man has got two cardboard cartons full of mushrooms; he probably gathered them this morning up on the mountains. Food that was in season in September of AD 81 is exactly the same food in season in September AD 2007. It is in Sofia that I eat the best tomato I have ever had in my entire life. Of course the Romans didn't have tomatoes.

Sofia's synagogue
5. Religious venues and festivals.
These often reveal aspects dating back to Roman times. I get to Sofia's synagogue before 1.00pm, as the guide book recommends, only to be reminded that today is Yom Kippur. But the nice caretaker says if I come back later, he'll let me have a quick peek. I come back at 4.00pm and he lets me in. Although this synagogue was built around 1905 its layout is not much different from the synagogue in Ostia, Rome's port.

lunch with pigeons
6. The customs.
As I sit on a park bench eating cold, folded-over pizza from lunch, I realise I have never been in a city where so many people eat fast food. They eat on the move, they eat on benches, they even eat hunkered down on their haunches. Some eat openly, some furtively. On every block there is a place selling food to go. This is very Roman. In Rome, Pompeii and Ostia, most small houses or apartments didn't have a kitchen. A hearth with a fire would be too dangerous. What did they do? They ate fast food from all those tabernae and thermopolea.

7. Human behaviour.
That young man with a cane, sitting on a bench and tossing bread to attract pigeons... is that something you would have seen in ancient Rome? That little girl, running gleefully among the same pigeons and making them scatter. I'm sure you would have seen that. The old couple, just sitting and watching the world go by. That couple kissing on the park bench, hardly coming up for air... would that have been allowed in Rome? It's all food for thought.

[Season 2 of the Roman Mysteries TV series was partly filmed at Boyana Studios in Bulgaria. The TV series is based on my books, The Roman Mysteries, and is now available on DVD.]

Tuesday, September 27, 2005

Whistlejacket and Roman Horses

by Caroline Lawrence, author of The Roman Mysteries

Yesterday, (26 September 2005), I went to the final day of an exhibition in the Sainsbury Wing of the National Gallery (the one facing Trafalgar Square). The exhibition was called Stubbs and the horse. I was doing 'research' for my twelfth book, The Charioteer of Delphi. I don't know much about horses so I have to learn fast!

I always get the audio guides to exhibitions like these and I am never disappointed. This one had a special 'family guide' which was narrated by a 'stable boy' and had lots of horsey sound effects and birds twittering in the background. I loved it! Here are some fun facts about Stubbs and horses.

George Stubbs was born in 1724 and he was at his height about the time of that Jane Austen wrote her first draft of Pride and Prejudice.

Stubbs was one of the first artists to really study the horse. He took dead horses and hung them from his stable roof and injected their veins with wax and then drew and drew and drew.

In the late 1800's grooms dried horses by rubbing their hair the wrong way with straw and with cloths.

Stable boys had to get up at 5.00am in the winter and 2.30am in the summer! They only got to go home for a few days a year (probably around Christmas) and they also got May Day off.

Horses don't like having their faces rubbed.

Stubbs' Whistlejacket in London's Nat'l Gallery
Stubb's most famous painting is a stunning life-sized oil painting of a horse called Whistlejacket.

Whistlejacket was a fiery palomino whose grandfather was an Arabian stallion. Whistlejacket was the name of a cocktail popular during the time. It was made of treacle and gin!

Near the final stages of painting Whistlejacket's portrait the horse caught sight of the canvass and tried to attack it. He thought it was another stallion.

Whistlejacket was very nervous like many racehorses and he didn't trust most people. He did like his groom, however: Simon Cobb.

Whistlejacket is now more famous than his owner, Lord Rockingham.

All the horses at that time have their manes combed to the right. The Romans also considered this a sign of beauty in a horse.

Racehorses are often nervous and for this reason they like another animal around as a companion. Stubbs painted a famous racehorse called Dungannon with his 'friend' – a sheep! Some horses had goats and famous Arabian stallion would not be separated from his pet cat.

Stubbs went to Rome and saw a Greek statue of a lion devouring a horse. He based lots of paintings on this statue. (The paintings are quite terrifying but there is no blood)

He also did several paintings of the scene from Greek mythology where Phaeton, Apollo's son, drives the chariot of the sun across the sky with tragic results. The chariot of the sun is based on the Roman quadriga or 'four-horsed chariot'.

I am trying to decide on a name of my horse in The Charioteer from Delphi. I have a long list of names of Roman horses. Here are just a few:
Ferox (Hotspur)
Frunitus (Jolly)
Galata (Helmeted?) a rare mare
Gallus (Cockerel or Gaul)
Garrulus (Chatterbox)
Gemmula (Jewelette) a rare mare
Glaucus (Grey)
Halieus (Fisher)
Hiberus (Spaniard)
Hipparchus (Chief)
Hirpinus (from Hirpina, region in Campania)
Icarus (mythological boy who flew and fell)
Inachus [a river in the Argolid]
Incitatus (Bounce) Caligula's favourite!
Indus (river in India)
Ingenuus (Free-Born) [horse of Scorpus, a famous charioteer]
Italus (Italian)
Iuvenis (Laddy)
Kynagos (Hunter)
Lampas (Fiery)
Laureatus (Receiver of the Laurel Crown)
Latro (Thief)

I was going to choose the name Hirpinus because it is found on a Roman 'chariot beaker'. Then I said the name out loud and burst out laughing. (Say it out loud and you'll see why!)

I will not use that name. I am now thinking of either Sagitta or Pegasus.

[The Charioteer of Delphi and all the Roman Mysteries are perfect for children aged 9+, especially those studying Romans as a topic in Key Stage 2. In 2007 and 2008, the BBC produced a TV series based on the first few books. Some regions can view season one on iTunes.]