Showing posts with label murder. Show all posts
Showing posts with label murder. Show all posts

Thursday, November 01, 2012

Roman Murder Mystery!

[a guest post by Emily Robb, aged 15]

Emily Robb with sheep and helpers
There are five minutes to go until lunchtime: I’m frantically running around my school hall, straightening chairs, propping up toy sheep and running over what I’ll say when 120 Year 7s ask me if I did it; if I killed Marcia Dorothea.

This is in fact not quite as dark and worrying as it may sound.

As a year 11 History prefect it is often my job to talk to prospective students about the subject, help out at lectures and give girls a tour of my school but it is also frequently my job to step back in time, throw on an extraordinarily unflattering costume and act.

In the past two years I have dressed up as a Georgian, a 1920s ‘Flapper’, President Wilson, Neville Chamberlain and now a few weeks ago I became a Roman farmer named Davus in a murder mystery that the History and Latin prefects had organised. Poor Davus’ calm, albeit slightly dull, lifestyle had suddenly become threatened by the ghastly reality of being held suspect in a murder inquiry – and the terrifying prospect of being interrogated by a squealing mass of twelve-year-olds.

Year 7 detectives!
We were keen to make the event as enticing and exciting as possible and so, as a soon-to-be-released film issues trailers to its potential audience, the prefects got to work on some serious marketing. Our main concern was that the murder mystery was not compulsory; would anyone sacrifice their place in the lunch queue and turn up? We were constantly told by teachers that it would be fine – of course they’d turn up – they’re Year 7s: they’ll go to anything! Still we had doubts, so over the next term we started to get inventive and created as many intriguing clues as possible.

The first of these clues interrupted an orderly assembly for their year group when a video was suddenly projected onto the screen of what seemed to be an ancient Roman news reporter (my friend Polly, the Latin prefect), delivering what appeared to be an ancient Roman news bulletin – and an extremely dull one at that. Polly drones on in a dismally monotonous voice about a young girl named Cornelia, sitting under a tree and a cart which has been stuck in a ditch for a good many chapters now (Slight tongue-in-cheek Ecce Romani jokes – anyone remember Ecce Romani?)

suspects?
Just before one of the poor confused year sevens stuck up their hand to ask what on earth was going on, a very urgent looking arm is thrust into camera-shot, holding in its shaking hand a piece of parchment. A rather startled news reporter hurriedly reads through its contents; breaking news, you see, was not commonplace in Ancient Rome. With an exaggerated gasp and eyes aglow with the burden of death, Polly regrettably informs the hall full of twelve year olds that a murder has taken place and that it is from this point forth, their duty to find out who is responsible.

Enticing? We thought so. Next, various prefects arranged for mysterious clues to be included in the daily bulletin that is read out every morning to classes during form-time. These featured cryptic messages such as ‘Don’t be fooled. Refuse the priest a drink’ which would come in handy for them later.

A teacher with cameraman!
The final advertising effort involved quite a large amount of embarrassment on our parts and quite a lot of confusion on theirs. The day before the mystery was to take place the entire cast trudged unwillingly into the changing rooms at the beginning of lunch and worriedly got changed into Roman clothes – armour, tunics, religious robes: the whole shebang. This was definitely going to invite a few laughs at our expense. However we were pleasantly surprised and extremely encouraged by the fact that upon stepping out of the changing rooms and making a rather doleful walk into the canteen we were mobbed by large packs of year sevens, asking us questions and being frankly rather frightening. Nevertheless – the detectives were ready.

The Poster!
With these plans secured, we now felt slightly more confident that the young inspectors were actually going to turn up but we still had much to prepare. Between us, over the next few weeks, maps were drawn, suspects cast, scripts written and scenery planned. As Davus the farmer, it was I who had the misfortune of finding the body of the deceased – a tricky situation to explain when being rigorously interrogated by the surprisingly scary year sevens. However I was innocent (HOORAH!) and I was extremely glad about this; I’m not sure I could have borne the guilt and evidently may have cracked under the judgemental glare of the detectives.

On the day, we arrived a little before lunchtime to set up the hall where the murder mystery would take place. An extremely large poster designed to draw the year sevens in, covered the doors to the hall, with a special message from Caroline Lawrence – author of The Roman Mysteries – wishing the girls luck, at the bottom.

The corpse!
Upon entering the hall the girls were greeted by a rather sombre looking pathologist who showed to them the body (quelle horreur!) from where they were encouraged to follow the path and ask questions of anyone they may pass in doing so. As they journeyed through passageways, through curtains and over rivers the eager detectives seemed prone to beginning their interrogation rather tactlessly with the simple question ‘Was it you?’ Whilst rather dramatic piano music accompanied their travels, the girls questioned lumberjacks, jewellery sellers, mosaic artists, money lenders, slaves, guards, the two temple priests and myself; the farmer. All in costume we made a humorous scene; I surrounded by a field of toy sheep, others clasping cardboard spears and others dressed in head-to-toe religious attire.

signed first edition!
We were surprised and delighted by the amount of staff that couldn’t resist trying their hand at being Poirot or Miss Marple for a lunchtime; one teacher was even accompanied by his own camera man and a full set of thorough interview questions– claiming to be from the local news. The hour whizzed by, with girls still hurriedly filling in sheets in the last minute. The fun wasn’t over, though, as the next week in assembly we got to present the three winners and four runners up with their prizes. For the runners up, sugar mice and for the winning detectives who managed to correctly solve the murder in the shortest time beautiful signed copies of The Slave-Girl from Jerusalem by Caroline of course! What better prize for a Roman Murder Mystery than a copy of the Roman Mysteries?!

I had a fantastic time organising and partaking in the murder mystery and would just like to thank Caroline for her generosity in giving the prizes; they really made it something special! When I look back on my school days as an adult it will be these moments that I’ll remember; not the horrific maths tests or the everlasting physics lessons – the moments where the staff and students work together outside the classroom to create something for everyone to enjoy. I won’t forget the fun I had as Davus the Roman farmer, in fact, after all the worrying, I think I rather prefer his comfy tunic to my school uniform.

Carpe Diem!

P.S. The louder of the two temple priests was the murderer; a priest with a partiality for the wine…

Sunday, March 11, 2012

Wanted for Murder by Diana Luc


Shadows seethe at my unwelcome presence as I retreat once again into their dark depths. Hidden, unseen and invisible, I watch as people pass me by, their faces glowing alive in the ever-still rising sun. They do not stop. They do not stare. Why should they? I am no-one. I am the dead.

I turn to the face on the wall.

I am one of the wanted.

And apparently a murderer too, I remind myself.

A shift in the market does not go unnoticed by me. There. A pair of keen grey eyes locks onto my own, paralyzing me, boring deep into my mind, searching hungrily for information. They are very old eyes, I tell myself.

For a moment, I wonder if I look like that.

Yet that thought vanishes as another rings out urgently in my mind: Has he made the connection? Have I been discovered? Panic fills me as my heart rises with fear. With one shaking hand, I tear the parchment so that my face rips in two; with the other, I pull my hooded robe up. Hundreds of shards of paper cascade onto the rich soil, squashed under my cheap, wooden shoes. Just like that, my identity crumbles away in my hand, and I free it into the sun and the wind, watch it as it is swallowed up by the blue, blue sky. They remind me of the mosaic patterns in Master’s bedroom; the vivid painting of the thousands of swan swimming in the huge lake still haunts me to this very day. Even though I know it must have perished in the fire, and even though it would have been stained in Master’s blood when I killed him, I briefly close my eyes to savour the sweet memory of happiness, of safety, of Young Master.

The illusion of peace is swept briskly aside as I return to danger. Wincing as I gingerly take my wrongful place in the sun, I disappear into the crowd.

*

It doesn’t take him long to find me.

‘Minerva Tiberius.’

It is not a question but a simple statement.

‘You will address me as Juno,’ I say with weak confidence. Juno is the goddess of family, of marriage, of women. She is the wife and sister of Jupiter. Minerva is a horrible name; I don’t want to be clever and learn poetry and medicine; that’s what boys do. It is much simpler to stick to the uncomplicated matters of life, the safer side of the world. But I know with a sinking heart that safety is beyond my reach now. Perhaps that is one of the many reasons why I threw away my old life.

‘Juno.’ His voice sounds bored, like he is just toying with me. It makes me want to hurt him, scratch him with my nails, push him hard so that he knows what it’s like to fall down to the bottom. Instead, I clench my fists into an angry ball. This time, I know Jupiter will not forgive me if I murder another innocent man, annoying though he may seem.

‘Follow me,’ the man says almost lazily, bringing me back to the present. ‘And wipe your tears. It is drawing too much attention from the crowd.’
I hadn’t noticed I was crying. I am surprised he can even see under my cloak; although I suppose that is the basic things an assassin must learn to do – to be observant. I must confess, even after a month on the run, I am still not good at spying. I can’t differentiate between a lie and the truth. I can’t distinguish who is my friend or enemy.

My instinctive reaction is to obey his orders, and for a few moments, I stumble after him, weaving my way through the noisy market crowd. Then I stop, because I remember I am not a slave-girl any more because my Master and Mistress are dead, and the only person I will ever follow is not here, perhaps even dead like his parents before him.

The man notices I don’t follow and turns back to me. Already I can see the signs; his muscles are tensed and his stance is strong. He is not afraid to use force if he has to.

‘Why should I trust you?’ My voice is barely audible but I know he can hear it.
There is a moment where we both stare at each other, daring each other to make a move.

Then: ‘Minerva?’

My name is called out in the silence, even though the market is not silent at all. The world is polluted with noise but my heart remains dead to the world. The clanking of sestertius’ being exchanged in the market stalls clink to the beat of my thundering heart that is furiously pounding away. I recognize that voice.

A familiar figure emerges next to me and clutches my arm. Young Master leans in towards my ear and whispers fervently, ‘Minerva, we must go. This place isn’t safe. We can talk more on the boat.’

I do not understand but I nod my head, lost for words because I am so happy that the person I love is right in front of me, talking to me, pulling me along –

Oh.

As we move steadily through the throng, my senses turn on again. Now that Young Master is here I can breathe once more, take in the smell of grapes and olives and apples and onions. It does smell good, I realize. Perhaps there is some joy in life after all.

*

Inside the ship, I meet a whole crew of people just like the grey-eyed man. I think to myself – friend or foe? Do I really trust these people? As soon as I think this, however, Young Master’s hand slips through mine, and gives it a sharp squeeze. I know I can trust him.

One of the lads scurries over and hands me a tin of Picenian bread; the fine biscuit crumbles once inside my dry mouth.

I set down the empty metal tin in the folds of my robe. Confession time.
‘I’m so sorry, Young Master. They killed Mistress right away. I tried to save her, I really did.’ A pause. ‘Then they started to burn the villa.’

His eyes are blank as he asks me the question I’ve been dreading all along.

‘What about my father?’

‘We could have escaped.’ I hang my head in shame as I confess all of this. ‘We could have escaped the villa. But Master wouldn’t go. He said he wasn’t going to leave Mistress. He said what was the point anymore when there was nothing worth fighting for. I said he still had you but he simply refused to leave the villa. He asked me to cut his throat. I- I – I…’ I what? What should I say?

I’m sorry? I did what I was told?

What young Master says next surprises me. There is no sadness in his voice but raw determination and confidence. ‘I need you to come with me to Caligula’s palace.’ His eyes search over me. ‘The people of Rome hate him. You know it, I know it. He is crazy, unfit to be our emperor. The crimes he has committed…they are unforgivable. Tonight, we are going to assassinate him. But you must help us first. Please, Minerva.’
And I have made up my mind.

*

Caligula lies asleep before me. Even now, his sleeping face loses none if its hostility. His sister, Lady Julia, lies before him, drunk and unconscious. I pity them that the last moments they have together is the time they use for vulgar intimacy.

Young Master was right; Caligula is evil. Yet why then do I still hesitate when I see Young Master raise his knife? In the seconds the silver blade moves towards where the emperor’s heart lies, I sprint to take the blow.

I don’t even feel it when the knife comes crashing into my chest. Red colour blossoms on my white dress where the knife connects with my body and I topple forward onto Young Master.

His chin rests upon the crown of my golden hair and my skull vibrates with every word he cries out: ‘Why, Minerva? Why did you defend that villain? Don’t die on me…’ And he weeps right there, my beautiful Young Master who is so confident actually starts crying.

I have only seconds left. ‘Don’t kill Caligula. You’ll only regret it. This is revenge for your father and mother; it needn’t be like this. I love-’

Caligula wakes up. His mind must be foggy from all the wine but he can still comprehend what is happening enough to call out to The Praetorian Guard outside. The rest of our crew flee for their lives but Young Master just holds on tight to me even when I plead for him to let go. The last thing I see is Young Master’s brave smile as he shelters me from harm and danger.

This great short-story by Diana Luc from James Allen's Girls School, Dulwich, won first prize in the 11 - 13 category of the 2011 Golden Sponge-stick Competition. Well done, Diana!

Saturday, March 03, 2012

The Perfect Crime


1: Nex-violent death, murder
“Laws are silent in times of war” Cicero

A quick, rapt, knock on the door - that was all it took for me to become embroiled in a crime like no other. Perfect, almost, in its attention to detail, its clues spanning decades, its conclusion leading me deep into the murky circumstances surrounding the end of the Roman republic. Julius Caesar is busy trying to find the conspirators, tearing his dictatorship apart from the inside, while Cicero bemoans the loss of his second wife and daughter - by the end of next year they will both be dead. It is the day before the Ides of March BC 44. This is the story of my life.

My name is Aulus Cornelius and on the day before the last flames of the dying republic flickered back into life again, I was sitting in my small, but pleasing garden, watching the light from the brazier quiver and then disappear. I felt my eyes begin to grow sleepy and then gradually close, the papers I had been reading earlier lying forgotten and forlorn on the dewy grass...

Clash! The fierce pounding at the door awoke me from a dream of chariots at the Circus Maximus exploding along the well-trodden, scorching sand... I splashed a little water onto my face to fully waken me from the dream, before, dressed only in my tunica belted at the waist, I hurried to the atrium to see who my nearly-blind door slave had let in this time. Praying that my wife had not been disturbed, I saw a man, lacking a toga (probably a slave), a grey band on his finger (confirmed slave), looking agitated and in a definite hurry.

Realising time was of the essence, I made a move to quickly change in to my toga, but the man waved his hand (mute), indicating this wasn’t important. With his other tired hand, he thrust a ragged piece of parchment in the vague direction of me, which I carefully unfurled. The message shocked me to my very core.

Stopping on the way only to grab a snack ladled with a generous helping of garum (fish sauce) and to utter a hurried prayer to Jupiter, we soon arrived at the house of Cicero. I took another quick look at the message, in disbelief - “Come quickly Aulus!” Scribbled at the side, almost illegible - a single word. NEX.

2: rhetor - orator, speechmaker
“All pain is either severe or slight, if slight, it is easily endured; if severe, it will without doubt be brief.” Cicero

The mute slave escorted me quickly through the handsome back-courtyard of the Cicero household, up a sharply curving staircase and through a wooden door, attended by a dim glow of light from a brazier (lit around 5 hours ago.) Cautiously, I rounded a corner, finding myself abandoned by my guide and stepped into the triclinium. Mosaics of cavorting fish and all manner of other sea-life glistened all over the floors, accompanied by a simple geometric pattern as a border. A single rose stood in one corner of the room, but, paying this no heed, I was transfixed by the two men in front of me. One sat in the corner (Name: Tiro, Cicero’s freedman), calmly ready to take notes on a wax tablet (Tironian Shorthand, a method formulated himself), while the other, a man known as the finest undisputed orator to cross the face of the world, Marcus Tullius Cicero, who, in a change to his usual manner, was frantically  pacing back and forth.

Cicero explained in detail the strange events plaguing his household over the past few days, which I will summarise for you here. On the Nones of March, his papers were scattered all over his house, like the shattered remnants of the Pompeian forces, dispersed after the Civil War. Only a few papers were too badly damaged to be repaired, those containing notes on Sextus Roscius (Cicero’s first major defence.) A few days later, a statue of the Goddess Minerva was stolen from his house; similar to how Verres (a successful prosecution for Cicero) had pilfered whatever he pleased from his unfortunate Sicilian people. Finally, and here being the crux of the matter, just this very day, a slave of Cicero’s was found dead, stabbed repeatedly in the sizable garden of the house (again representative of a case of Cicero’s, namely, this time Clodius killed on The Appian Way.) Someone was terrorising Cicero and they must have had help from the inside. I was on the case.

Lightning illuminated the inky black sky, enveloping the city of Rome, as I carefully reclined next to Cicero to quiz him on how he had let evil run amok in his very household.

“Why can I believe you?” I asked him, taking a sip from a glass of water, thankfully placed by my side.

“If you can’t trust me, who can you trust?” he replied, before reinforcing his respectability as an orator.

“Anyway, what reason would I have to lie?” He queried, “Did I ruin my (which he emphasised) own papers and kill a trusted slave of my household, just for the sheer fun of it?” he demanded

I left the question unanswered.

Next, I prompted him further, taking him back through the mists of time to the fateful incident a few hours ago. “When did you last speak to your slave?”

“It must have been a few hours ago... yes... yes... it was, around the third hour of the night (it being around the 5th hour now), while he was going around lighting the braziers. I had passed him on the stairs, paying him no attention...and the next thing I knew he was lying dead in the garden.”

“Can I see the body?”I asked.

“Of course, of course,” he answered (he seemed to be averting the topic), “But surely you need to talk to the witnesses first?”

“Ah, yes...the witnesses,” I said humouring him slightly (I’ve done this job for 20 years, as if, I’ve never come across a witness before) and let him usher me out of the room and down the corridor. As I walked, I pondered why Cicero, the great orator, he who had stood up to Sulla, he who had fought for the rights of the Sicilians, the last honest man in the republic, had lied to me.

3:  perfectus – perfect
“It is a true saying that “One falsehood leads easily to another” Cicero

I was sitting in a room I didn’t want to be in, sipping a cup of well-watered wine I didn’t want to drink, speaking to a man who very clearly did not want to speak. Marcus Tullius Cicero had led me across an inner courtyard, the sound of gravel cracking under my feet and into a room, which, at first sight, appeared to be a slave’s quarters.

I interviewed Tiro in this room, allowing the bad omens of things to come (the increasingly darkening sky) to not cloud my judgement. He couldn’t tell me anything I didn’t know already and I began to pine for the warm, heavenly covers of my bed with my wife beside me. Before another (so-called) witness of minimal importance could be forced upon me, I slammed the cup of wine heavily down onto the table (but spilling little) and demanded I see the body. Cicero received me with as much courtesy as he could muster, before leading me back down the same corridor and into a small recess. My disillusions with the case were beginning to fester - how many more lies would I have to stomach before the night was up?
Cicero drew back the sheet lying in the alcove and with a convincing gasp announced that the body was gone. I had had enough. “You blithering blockhead, “I ridiculed him, “Gods immortal, why didn’t you leave (I stressed this) someone guarding the body?”

Cicero tried to reply but I cut him off, with a swift cut of my hand through the air, “What’s more, you don’t seem to want this case to be solved at all! Surely you of all people would know that the killer could be at loose at this very moment, hidden within these very walls. Do you want me to solve the case or not?”

And suddenly, it all clicked into place.

4: Idus -The Ides
“The first duty of a man is the seeking after and the investigation of truth.” Cicero

The sun gradually pulled itself from the horizon, poking its tender head over the trees on the Field of Mars. “At first, I suspected Tiro,” I began, “After all, who knows you better than Tiro himself? But on reflection, it couldn’t have been Tiro; he would never have harmed your works no matter what.”

Watching the red and orange embers climb higher in to the sky, I continued, “The first thing that drew my suspicions was the red rose in the triclinium. It couldn’t have been placed there for me, as if I hadn’t found you, I would probably have met you in the tablinum. Thus I assumed it was put there before, but not too long, as if I remember, the petals hadn’t wilted yet, so maybe, a private discussion between you and your slaves.”

Cicero smiled, but faintly. “Another point of interest - the lighting of the braziers. You told me you last saw the dead slave two hours ago, lighting the braziers, but I clearly remarked to myself the flames were dim - thus lit around 5 hours ago.”

“Couldn’t he have lit some lamps first before becoming distracted?”

“He could have done,” I replied “but I found it unlikely. Why on earth would he light the braziers three hours after the setting of the sun?”

“Let us assume, therefore, you were having a secret meeting with your slaves (sub Rosa = secret) before I arrived and from then on proceeded to lie to me at various intervals. I wouldn’t call you a stupid man Marcus, so you must have been planning something and lying deliberately. You said to me, if I can’t trust you, who can I trust? The answer was no-one and the conclusion? A hoax.” I took a breather, exhausted.

Cicero, a morose twinkle in his eye replied, “The law courts are rendered useless because of Caesar. I abandoned my wife for some young, arrogant play-thing, who mocked the death of my only daughter. I am a bitter man Aulus. I’ve engaged you and I’ve entertained myself with this charade, why can’t you allow an old orator a bit of fun once in a while?”

“I could have had other cases, important cases going on,” I protested.

“In the middle of the night?” he queried.

“As a matter of fact,” I answered and it being the last thing I ever said to him, “I was meant to be assessing Caesar’s safety for tomorrow; today, now.”

“I’m sure it was of no importance,” he sighed, “Well, I really must grab some sleep now. I’ll see you for the senate meeting in a few hours, I trust?” He swept out of the room, the twinkle back in his eye.

And despite, all my workings, my deductions, my cleverness and my reasoning, I realised I had been played by Marcus Tullius Cicero after all.

This very clever and assured piece of writing (with a twist!) by Adam Cunnane from Cheadle Hulme School, Cheshire shows the young author's admiration of the orator Cicero and of Steven Saylor's Roma Sub Rosa series. Nothing wrong with that; it's how we all learn to write. It took third prize for the over 14s in the 2011 Golden Sponge-stick Competition. (It must have been hard to choose, Jerry!) Well done, Adam!

Saturday, February 25, 2012

Omen of the Crows


“Dat veniam corvis, vexat censura columbas.” – Juvenal

If one is of a superstitious nature like many a Roman, then one has beliefs governed by luck. A woman combing her hair with the spear of a dead man gives good luck; the left-side creates extremely bad luck. Most of all, crows bring terrible bad luck and are ultimately a curséd omen. Take this famous example: Sejanus the rebel had been warned of his impending doom by the crows perched on a prison roof that he was later taken to and executed at for his base treachery. But why should he have been so surprised by this when the crows had surrounded him? If only our good friend Sestillius had heeded the same warning before it was too late for him. The consequence of this has left me, Revocatus, to pen his tale for him.

It was little more than a week ago when my excellent companion, Argus, and I were to attend a most exquisite banquet that Sestillius had planned to put on, courtesy of his slaves of course; in celebration of his having another estate added to his collection.

When we arrived, well, what a surprise met us. Instead of being greeted by the slave-porter as is custom, the door was answered by none other than Sestillius’s wife Fortunata who then proceeded to tell us that she was exceedingly sorry that the banquet was off for Sestillius was dead! No sooner than we had received word of his successful bargaining had he apparently dropped down dead from a heart attack. She shed numerous tears while telling us all of this of and while I could at first only think of the rudeness for not having informed us immediately; Argus later imparted some wise words to me and Fortunata appeared considerably cheered up when telling us that Sestillius would be cremated the next night though he had wished for burial.

“Struit insidias lacrimis cum femina plorat,” he said gravely as we half-watched a  Coliseum gladiator match. I took my eyes off the game fought between a pair of Retiarii and a pair of Laqueatores and listened.  “Is it not odd that Sestillius appeared healthy to us only a short time ago? She has never been close to Sestillius in affection. ”

I frowned, musing over his words. “Are you proposing that the death of Sestillius was not in fact an accident? But something of a far more devious nature? A woman who has murdered her husband must be justly punished by the gods.”

Upon this, I left with Argus as soon as the Laqueatores triumphed over their opponents although the battle wasn’t quite as bloody as I was expecting. This is just as well perhaps as my mind was already concocting a murderous, most disgusting scene of Sestillius left to rot in a grave without the correct rituals made; the slaves sworn to secrecy. We made our way back to that wonderful abode at night hoping that we could enter the mausoleum undisturbed by Fortunata.

Thankfully, Fortunata was not there. Men can be blinded by love as well their own faults for Sestillius to have liked Fortunata. By the entrance, we came across a young Egyptian slave, trembling as he stood before us, refusing us admission since he was on the orders of his mistress (and no doubt she was his mistress).

“Should I box your ears?” cried Argus. “Have you not been taught respect for your social superiors? Insolent dog! Stand aside you filthy cur ere I chop off your ears and throw them to the gladiatorial crocodiles!”

Fearing that his wroth would attract attention, I spoke quickly: “Slave, we wish for admission inside the mausoleum. You do not want to upset my friend for he is a retired gladiator of notorious skill and as you can see, he has not lost his wits. You need not impart this information to your mistress. Say you were overpowered if you must say anything at all.”

I suppose I cannot truly appreciate the position of a slave since I have been fortunate enough to have never been one. But our words certainly had the appropriate effect for the Egyptian stood aside and sank to the floor cowering in case his face invoked anger again for Argus.

The inside of the mausoleum was lit by many burning torches which illuminated the flowers, the trees, the cisterns, it seemed less of a resting place for the dead and more of a place for recreation. There on the bier at the end of the glorious tomb rested Sestillius, robed and decorated, looking quite healthy for someone gripped by death apart from pallid skin. We approached the body and were relieved to discover that no brute force had been used upon it. Though a man is naturally stronger than a woman; a man can be easily overpowered when under the strong influence of alcohol. No such signs of weaponry had been used on Sestillius.

Suddenly, we both heard a tumultuous racket outside and we fearfully looked at each other. Had our presence been discovered? Had the foolish slave blabbed? We heard a flurry of footsteps coming our way through that maze of a tomb suggesting that a company was coming to seize us. Without much further thought, I grabbed Argus and taking advantage of the mini-forest planted here; we hid amongst its branches and kept our breathing to a minimum.

A number of guards; the ones previously belonging to Sestillius I noted, surrounded the bier and scanned their surroundings looking for the intruders and there stood Fortunata wearing a gleaming ring that seemed rather familiar. Her countenance was frightening and we dared not move. Part of her tunic seemed splattered with ink and in one hand did she clutch a rolled-up scroll. Finally, after what seemed like a century, the guards shuffled off upon the orders of Fortunata and presently left us alone.
We climbed down and noticed that Sestillius had been disturbed by the guards as if hoping to catch one of us hiding beside him. His eyes were now open and I could not help but shudder at this sight as I saw that the pupils were widely dilated as if he had taken some sort of drug. Or…

“Belladonna,” I murmured. “Poison is a woman’s weapon.” Argus looked at me intrigued. “It is easy to conceal part of the plant inside of a meal and his death could be attributed to natural causes. Do you remember Socrates and the hemlock?”

Argus contemplated this and nodded. “But we need further proof. This sort of method takes time; what if he wrote a letter?”

“Are you suggesting that we should break into the house?” I cried. “That is madness!”

But my words were to have little effect and as we left, I saw that the slave had gone. We knew where Sestillius’s room was and we went towards it though we had to scale the wall and slip in through the window. Thankfully, Fortunata was not there. On the table we saw another scroll. This we examined:
‘I should be most pleased upon my latest success as the gods have granted me and yet in myself, I feel less than joyous. The conditions of confusion, convulsions and constipation afflict me even now. Have my enemies reached me at last? I should have heeded the crows’ warnings. I praise my Christian God that I have seen the light, having left behind the paganism of Rome. Having written this, I know that they shall come for me very soon for having broken Roman law and yet…’

There the letter ended in little more than a scrawl. He was certainly describing the symptoms of belladonna and it seemed that Sestillius had been hiding a great secret; one that would shock the whole community and especially his rich companions. Having deciphered the cause of his death, we tried to gather our thoughts together when Fortunata stepped in…

***

The truth, it seems, has been uncovered. After demanding information from her, Fortunata eventually confessed that it was she who had fed her husband the poison Belladonna, arguing that it was a kinder death than the one that the Senate would give him. Perhaps so, but Sestillius would have broken his own ring and not have given it away to his wife for fear of fraudulent activities which Fortunata was prepared to undertake. The other scroll we found to be Sestillius’s will and she had planned to divert the money to herself rather than the original recipients that he had intended, his cousin I think.

We have done our part now and it is up to the courts to decide the fate of the murderess. Though our friend was taken from us untimely, we can be assured that he had had a good life and he is indeed free of all the perils that life has to offer and that we, of the living must yet suffer those perils still.


This superb short-story by 17-year-old Claire Worthington from Blackburn College, won second prize in the over 14 category of the 2011 Golden Sponge-stick Competition. Well done, Claire!