Showing posts with label Westerns. Show all posts
Showing posts with label Westerns. Show all posts

Wednesday, July 31, 2013

Top Eleven Westerns 2003-2013

A recent article in The Atlantic (How the Western was Lost and Why it Matters) suggests that Gore Verbinski's poorly-received The Lone Ranger might be the final nail in the coffin of a dying genre, the Western.

But what is a "Western"? Can it even be encompassed by the term "genre"? Is it not bigger than that?

The American Film Institute defines a Western film as one "set in the American West that embodies the spirit, the struggle and the demise of the new frontier."

The above-mentioned article talks about the "timeless pleasures" Westerns provide: "tough guy heroes, action set pieces on horseback, adventures in magnificent landscapes, good triumphing over evil..."

For me, a Western is any movie, TV show or book which depicts an individual or small group battling to survive in some kind of frontier. Ideally, it will include two or more of the following ingredients:
a) horses
b) revolvers
c) Native Americans
d) deserts
e) outlaws

Is the Western really dying? Using the above as my criteria I have chosen my top eleven Westerns films or TV shows from the past decade, viz: 2003 - 2013. I have listed them from oldest to newest.

montage of my fave Westerns 2003-2013 by Richard Russell Lawrence

1. Firefly (TV 2002-2003)
This short-lived, much-loved Joss Whedon television show was a great example of a Western set in space, the "new frontier" in the tradition of Star Wars. It has all five of my ingredients (though Native Americans are only glimpsed in a crowd scene in episode one.) Probably the wittiest of my eleven choices. Certainly the most fun.

2. Open Range (2003)
This is the only Western on my list that involves cattle or cowboys, which are absolutely NOT necessary for a Western. Open Range was laudable in its attempts to go for realism (e.g. a horse is killed in a shootout) and for the sublime Robert Duvall, but was bleached to bones by the blazing brilliance of the Deadwood sets, costumes and characters.

3. Deadwood (TV 2004-2006) 
The best of the lot. The first few scenes of this magnificent, misguided HBO TV series made me jump to my feet and yell "THAT's what it would have been like!" Deadwood is probably responsible for the past decade's mini-revival (or death throes!) of the Western genre. It is the quintessential Western, pitting loner misfits against the wilderness, greedy men and their own fatal flaws. Why "misguided"? It could have run for years but creator Milch sank it with expletives in an attempt to make it feel authentic. This goes to show what a minefield of political incorrectness the Western genre can be. 

4. The Proposition (2005)
Here's a great example of a Western set in Australia, but it totally works. Brutal, mysterious and with Ray Winstone. What's not to like? The opening gun battle is like nothing I've seen on film before and the story has more twists and turns than The Sixth Sense.

5. Seraphim Falls (2006)
With nods to The Outlaw Josey Wales and Unforgiven, this is an overlooked gem. The action ranges across mountains and deserts and features a surreal cameo by Angelica Huston as a Snake-oil Saleswoman. I don't care if the critics panned it. I loved it.

6. No Country for Old Men (2007)
Cormac McCarthy's book faithfully transported to screen by the Coen Brothers. A "modern" Western with sagebrush dry humour and a world-view as bleak as the West Texas desert.

7. Breaking Bad (TV 2008-2013)
The best TV show of the decade, I'm calling this a Western on account of its stunning desert landscapes and (New) Mexican cartel drug lords scarier than any Comanche Indians. As with many later Westerns, the protagonists are the outlaws. Plenty of desert sunsets, shootouts and showdowns. And did I mention the New Mexico desert?

8. Meek's Cutoff (2010)
I found this film infuriating when I first saw it on account of its "lack of ending". I stomped home to look up the background history of the real pioneers it's based on. That was when I realised the genius of Kelly Reichardt's approach. The life of an American settler was in constant limbo with no knowledge of what the next day or even hour might bring. Reichardt's constrained screen aspect mimics the blinkered viewpoint of seeing the world through the tunnel of a "poke bonnet" and the muffled dialogue of the men frustratingly conveys how much women were sidelined. An encounter with a Native American is fraught with misunderstanding and confusion. Haunting, unforgettable and stripped of all romance, Meek's Cutoff is probably the most realistic "taste" of the West the way it was.

9. True Grit (2010)
No film could do justice to Charles Portis' masterpiece, but the Coen Brothers give it their best shot. My perfect True Grit would have John Wayne as Rooster with the 1969 screenplay, including its better-for-film upbeat ending (written by Portis) but with Hailee Steinfeld as Mattie and the set dressing of the 2010 version.

10. Justified (TV 2010 - still going!)
This barely squeaks by on my criteria, having very few horses, no desert and no Native Americans, but Raylan Givens – a beautiful US Marshall in cowboy boots and hat and with an itchy trigger-finger – is a fabulous Western hero. Although Elmore Leonard's story is supposed to be set in Eastern Kentucky, it's actually filmed in and around Santa Clarita, Hollywood's iconic Western backlot.

11. Rango (2011)
Not really for kids, this decidedly creepy animation is packed with references to other Westerns and popular movies. I have listed nearly two dozen on my Rango Cheat Sheet. By making the characters animals rather than ethnic groups, Gore Verbinski neatly avoids many of the "hot buttons" that weigh down The Lone Ranger... and threaten the entire Western genre.

So my thought is: No, the Western is not dying. We are certainly not in the right Zeitgeist, but if well-written and conceived, a story of men or women on the frontier with six-shooters and horses can still be hugely satisfying.

Finally, there are some great Western books being produced. A few of my recent favourites are St. Agnes Stand by Thomas Eidson, Boone's Lick by the great Larry McMurtry and Robert B. Parker's Appaloosa (much better than the film). I myself am trying to revive the genre among children with my tales of a half-Sioux, half-white 12-year-old Detective in Virginia City, Nevada Territory: The P.K. Pinkerton Mysteries. Just out is The Case of the Pistol-packing Widows.

Tuesday, January 08, 2013

History Chickens!

me and my soft toy chicken
[I first published this on the History Girls in 2011]

One of the drawbacks of being a historical fiction author living in 21st century London is that you have to keep reminding yourself about things that would have existed in first century Rome. Or a Nevada mining town in the 1860s. Or Jerusalem during the siege of Titus. Or where-ever, when-ever.

Some things don't change about town life: beggars, pickpockets, street markets... But there were lots of critters roaming about back then that you rarely see today on the Kings Road, Chelsea. Horses, stray dogs, feral cats, flocks of goats and... chickens!


ancient Roman pawprint
My husband Richard and I are both avid fans of historical fiction, especially movies and TV productions. Whenever we are watching a Western or a Sword and Sandals drama and we see poultry, we punch the air and shout "CHICKENS!" Then we mentally give the film or TV show an extra star, a kind of "chicken-o-meter" of authenticity. (We have recently added a "spittoon-ometer" to gauge the historical accuracy of westerns. What is YOUR accuracy barometer?)

Forum Boarium 1855
One of my favourite things about HBO's Rome was the presence of chickens in the forum. Most set designers wouldn't dream of making Mark Anthony step over a roosting free-ranger as he went to give Caesar's funeral oration, but the producers of this programme were spot on in this respect. Most Romans would have encountered a daily hazard in steaming piles of manure, scavenging dogs, fleabitten feral cats, etc. "Friends, Romans, Countrymen... Lend me your ugh! What did I just step in?" Any Roman passing through the Forum Boarium would definitely have had to watch his or her step. Forum Boarium means "Cattle Market", but they also dealt in goats, sheep, pigs and no doubt chickens. This is one of the 10% surprises I have blogged about elsewhere.

"Only three sesterces..."
Another one of my favourite historical dramas is HBO's Deadwood. This TV series – with its amazing evocation of an 1870s mining town in the Black Hills of South Dakota – revived the Western genre in America and partly inspired my new P.K Pinkerton Mysteries series. But the producers of Deadwood made one grievous error. NO CHICKENS! (apart from some briefly glimpsed dead chicken feet in the title sequence, that is.) 

So you can imagine how thrilled I was when screenwriter Dom Shaw introduced a sacred chicken and its owner to the CBBC TV adaptation of my book The Slave-girl from Jerusalem. Floridius the Soothsayer, brilliantly played by Mark Benton, posts a sign in the forum:

Threptus & Aphrodite
Aulus Probus Floridius: Haruspex, mercator sacrarum gallinarum, orator, peritissimus ad horoscopos operaque varia. 
(Aulus Probus Floridius: Soothsayer, dealer in sacred hens, orator, very skilled in horoscopes and random tasks)

Floridius also says amusing things like: "Would you like me to sacrifice this nervous chicken to ensure the verdict? Only three sesterces?" and "The entrails of the sacred chickens never lie!" Also, he falls into the fountain a lot.

Most authors would be peeved if a screenwriter introduced a major character into an adaptation of their story. But I loved Floridius so much that I gave him a walk-on part in the final Roman Mystery, The Man from Pomegranate Street. Then I let him have a bigger part in the second volume of Roman Mini-Mysteries, as sidekick to an 8-year-old beggar-boy detective named Threptus. And finally I conceived an entire spin-off series starring the two of them.

And all because of those chickens. 

You can read "Threptus and the Sacred Chickens" in The Legionary from Londinium & other Mini-Mysteries

The Roman Mysteries are perfect for children 9+ studying Romans as a topic in Key Stage 2. The Roman Mystery Scrolls series (with chickens) is aimed at kids aged 7+ and the Roman Quests series, set in Roman Britain, is a new spinoff series for kids 9+.

For more information about me and my books, visit carolinelawrence.com

Wednesday, June 15, 2011

Truly Gritty

My Top Five GRITTY Westerns for kids.

Everybody has their own definition of a “western”. Here’s my definition:
A Western doesn’t have to have cowboys or Indians but it
should have horses and/or mules.
should be set in the American west in the 1800s.
should have six-shooters, smoking, gambling and drinking.
should have a hero who fights against overwhelming odds.
should have some harsh but beautiful landscapes & big skies.

Because Westerns are usually about survival of individuals in the extreme situations of a frontier world, they are usually too violent and politically incorrect for children. The ones that ARE aimed at children are often too sanitised for my liking. I like gritty reality with a dollop of danger. So here are five of my favourite Western books; ones suitable for kids but which also have grit, grime and menace. I’ve placed them in order of ascending grittiness.

1. The Little House on the Prairie (U) by Laura Ingalls Wilder
I know you're thinking this is saccharine sweet but it isn't. Although safe enough for a 6-year-old, it is magnificently evocative account of pioneer life with all its hardships and joys. Wilder's descriptions are so vivid and compelling that it seems she has stepped back into her six-year-old self to describe the sights, sounds, smells and emotions of her extraordinary life. If you've been put off by the TV series, don't be. Put aside your prejudices and try this. There is a good reason it's considered a masterpiece.

2. Hondo (PG) by Louis L’Amour
Louis L’Amour is considered one of the greatest Western writers and this is one of his greatest books. The story follows a strong, silent hero named Hondo who helps a woman and her son living in hostile Apache territory. The best bit of the book is a section at the end where Hondo teaches the boy how to track and hunt Indian-fashion. The John Wayne movie is good but doesn’t have the tips about tracking and desert survival.

3. True Grit (PG) by Charles Portis
This deadpan masterpiece by Charles Portis is one of my top ten fave books of all time. It recounts the story of a fourteen-year-old girl named Mattie Ross who hires a fat, half-blind Marshal to help her avenge her father’s cold-blooded murder. Both of them have ‘grit’, (which can mean ‘courage’ as well as crunchy dirt.) True Grit is one of those books you can read over and over and always find something new. Both movie versions are good, but the book is better. Best of all is the audio book, read by American author Donna Tartt. She captures Mattie Ross’s voice perfectly.

4. Boone’s Lick (PG) by Larry McMurtry
Like Charles Portis, Larry McMurtry is another great American author. His Pulitzer-prize-winning Lonesome Dove was made into a highly-acclaimed TV mini-series. His screenplay of Brokeback Mountain won an Oscar. Boone’s Lick is based on the real events of an Indian massacre in 1866, a year after the Civil War ended. The narrator is fifteen-year-old Shay. Some scenes are quite brutal, but it’s suitable for readers 10+. As with True Grit, there is a superb audiobook version, read by actor Will Patton, who makes McMurtry’s drily funny characters even better than they are on the page. No mean feat.

5. St. Agnes' Stand (15) by Thomas Eidson
WARNING: This book has harrowing scenes of torture by Apache. It made me understand why you always save the last bullet for yourself in an Indian attack. (gulp!) But if you have a strong stomach, it is a beautiful Western with a powerful message of love and redemption. 


And don’t forget my new book, The Case of the Deadly Desperados, which  falls between True Grit and Boone’s Lick on the True Grittiness scale. 

Sunday, May 01, 2011

Melody Ranch Movie Night 2011

Last year (2010) my faithful sidekick Richard and I had a great time at the Melody Ranch Movie Night. It's part of the Santa Clarita Cowboy Festival my husband and I are attending. This is the one weekend a year you can tread the streets of Gunsmoke and HBO's Deadwood. As we're back at the festival we signed up for this year's movie night, Friday 29 April 2011. Once again, we had a great time.

Last year we got rides to and from the shuttle pick-up point thanks to the kindness of strangers. This year, too. Show cowboy John Hustead gave us a ride there in his pickup truck and Agua Dulce residents Paul and Carrie Riley gave us a lift back. Thanks, kind strangers who are now friends!

Last year we got a thrill arriving on the streets of "Deadwood" at sunset. Same thrill this year.

Last year we met some great Western movie fans. Some in costume, some not. Among them was western reporter Mark Bedor who told us to go to White Stallion Dude Ranch in Arizona. This year we were able to tell him we had followed his advice!

Last year I bought a fancy fringed buckskin jacket made by Tribe. This year I wore it and got lots of compliments. That jacket is a great ice-breaker.

Last year we ate some delicious food: salads, fried chicken, roast pork & beans, plus coffee in a souvenir mug. Same this year: the food was excellent.

Last year we watched "High Noon" after a fascinating introduction to the film. This year we saw "Stagecoach" after hearing an original ode to John Wayne, composed and recited by Larry Maurice.

Last year we enjoyed the comments, applause and laughter of a lively crowd. Same this year. Especially some of the comments offered up.

2011's Melody Ranch Movie Night was a great night out. Just like last year. Only one small fly in the ointment: it got durned chilly sitting out there on the Main Street of Deadwood. But you pays your money and you takes your chances. Next time I'll bring something to keep me warm. Now what was the cowboy version of a hot water bottle? 

Saturday, March 05, 2011

Rango Cheatsheet


Impress your friends and family by identifying these film references in the animated Western film Rango!

It starts off by breaking the 4th wall. Various characters use their forefinger to draw a square (the "fourth wall") no less than three times in the film. There are also lots of self-conscious screenwriting terms and phrases like "Every story needs a hero", "What our story needs is conflict", "It is metaphor", etc.

Here are the film references I spotted starting from the beginning:

Cat Ballou/Blazing Saddles: musicians singing story are visible to us and to the players in the film.

Fear and Loathing in Las Vegas: when Rango is flung against a windscreen

Big Lebowski: Chameleon/rock creature sounds like Jesus Quintana ("dios mio!")

Sergio Leone's "No Name" Trilogy:
(Fistful of Dollars, For a Few Dollars More and GB&U)
Spirit of the West = The "Man with No Name" i.e. Clint Eastwood
Rattlesnake Jake = Lee van Cleef
Good, Bad and Ugly (GB&U) = bird's cry used to bleep swear word
Once Upon a Time in the West = squeaky windmill from opening sequence

Django: the gattling gun in Rattlesnake Jake's tail

Star Wars IV: visual echoes of Mos Eisley Cantina in the Saloon
ALSO the fight in canyon is like final Death Star canyon sequence

Jabba the Hut (Star Wars IV) & Buford the Barkeep (Rango)
True Grit: Rango calls little girl Priscilla "Little Sister"

Jurassic Park: dinosaur/bird uncovers someone on the toilet

Chinatown: Ned "The Mayor" Beatty mimics John Huston's villain AND
Chinatown: theme of water in desert, drowned man in desert, etc...

The Man Who Shot Liberty Valance: hero is a fraud

High Noon: hero discards badge/star

Apocalypse Now: bats/helicopters fly out to Wagner's "Ride of the Valkyries"

There are also references to Ghostbusters, Planet of the Apes and Deliverance. (See the comments below... and add your own!) 

Tuesday, November 23, 2010

Western Road Trip movies

If I were to compile a mini film festival for our recent Western road trip it would include these films:

for White Stallion Dude Ranch near Tucson, AZ:
City Slickers (1991) about tenderfeet at a Dude Ranch
City Slickers II: The Legend of Curly's Gold (1994) more of Mitch, Norman & sore bottoms
Backlash (1956) to remind us of the landscape we rode through
Tombstone (1993) filmed in and around Old Tucson Studios, which we loved!

for Sedona, AZ
Broken Arrow (1950) scenes filmed at Cathedral Rock in stunning Sedona, AZ

for Oatman, AZ
How the West was Won (1962) the quirky Oatman Museum was in this film

for Kingman, AZ
Two Lane Blacktop (1971) classic road trip movie filmed at Kingman, Arizona

for the Grand Canyon, AZ
Grand Canyon (1991) about what matters in life with a final scene at the Grand Canyon
Edge of Eternity (1958) you can still see wrecked car at Guano Point, West Rim of the canyon
Thelma and Louise (1991) another dramatic final scene at the Grand Canyon

for the Hoover Dam, AZ/NV
Viva Las Vegas (1964) this fun Elvis film has scenes at Hoover Dam as well as Las Vegas

for Las Vegas, NV
Oceans 11 (2001) a little less conversation, a little more action!

for Death Valley, CA
One Eyed Jacks (1961) Marlon Brando in Death Valley
The Law & Jake Wade (1958) so-so western with good scenes in Death Valley
Zabriskie Point (1970) wacky hippie film with scenes in Death Valley (including Zabriskie Point) 

for Yosemite, CA
Star Trek V: The Final Frontier (1989) opening scenes: Captain Kirk climbs El Capitan

(Check out my Western detective books for kids at carolinelawrence.com)

Monday, April 26, 2010

Top 3 Westerns?

Which three Western movies do you think might be the most popular among real cowboys and cowboy re-enactors? Go on. Have a guess. Then read on.

I've just spent three days at the Melody Ranch Movie Studio (where HBO's Deadwood was filmed) with my husband Richard, researching my new series of kids' history mystery books, The Western Mysteries. This is the 17th year they've held the Santa Clarita Cowboy Poetry and Music Festival and by all accounts it was bigger and better than ever. I chatted to lots of performers, re-enactors and fans and asked most of them what their favorite Western movie was.

I've already mentioned cowboy poets Yvonne Hollenbeck and Pat Richardson in my blog about Cowboy Poetry. Yvonne's favorite Western is Lonesome Dove and Pat's is High Noon. "Gary Cooper was a real cowboy," said Pat. "And they filmed a lot of that film right here on Melody Ranch."

On the last day of the festival, Sunday, Richard and I boarded the trolley at the La Quinta Inn to find a beautiful cowgirl: Miss Catherine Lane. She plays Belle Montana, heroine from dime novels of the 1880's. Her fave Western is The Good, the Bad & the Ugly. YES! That's mine, too.

On the trolley was also a passel of desperados from Tombstone. They are Law Dogs 'N Ladies, a tribute to the movie Tombstone. You'd think they all place Tombstone top but no. Susan plays Calamity Jane. Her fave Western is Quigley Down Under. Tim Fowler is Ike Clanton and his fave Western is Tombstone. Their son Kirk likes Lonesome Dove.

Other fans on the trolley voted: One for Lonesome Dove and one for High Noon.

When we got to Main Street I wandered over to a blacksmith who was personalizing horseshoes. I figured I'd better get one inscribed with the name of the hero from my new series, but blacksmith Wishbone Smith said "P.K. Pinkerton" was too long. While he was hammering out "P.K." on a pony-sized horse shoe, I asked him what his fave Western was. "Lonesome Dove," he replied without hesitation, and proceded to quote Robert Duvall's character Gus. His son's fave Western was Tombstone. I was beginning to detect a pattern here.

David Rainwater the fiddler couldn't choose between Tombstone or High Noon. Lasso expert Dave Thornbury's top flick is Tom Horn and black-clad, bullwhip wielding Doc Durden from Virginia City's is... you guessed it: Tombstone.

There was some great music at the festival: a Civil War Brass Band, Indian flutes, some great rock/blues and of course tons of Western music. Richard and I loved it all. I met Rich Hillworth waiting to hear Celtic Cowboys outside the California Stage on Main Street. He lives near Lancaster and used to drive mule trains across the desert. His fave Western is Lonesome Dove. David Matuszak was selling the "Bible of Western films", A Cowboy's Trail Guide to Westerns, but he loses points by saying Richard's fave Western, Little Big Man it wasn't a Western! David's fave Western is Red River. A fabulously dressed couple named Todd and Holly loved The Big Country and Tombstone, respectively.

Everybody was telling us to get the peach cobbler and bottomless coffee made by the Chuckwagon guys so we got a bowl to share and bought the tin mugs you can refill all day. The cobbler was yummy but the coffee had grounds at the bottom. Now I know why those cowboys in the Westerns always toss the last bit into the sagebrush. We sat at a table with Carol and Dave, who told us about Cowboy Church! It was held that morning at 8.00 and they had some good ol' gospel cowboy worship. Too bad we missed it. They also meet the first Friday of every month at their pastor's ranch in Agua Dulce near the amazing Vasquez Rocks. Carol's fave Western is Tombstone and his is (the newer) 3.10 to Yuma.

By now I was pretty sure of the winner. On our way down Main Street the last time I did a double take. Was that Robert Duvall? Nope. It was Gus Curry. His fave Western? Lonesome Dove of course. He posed for me with the tastefully attired Mary Culver, who loves High Noon. Despite her vote, I think Lonesome Dove was definitely the top Western, followed very closely by Tombstone. High Noon came in a respectable third, according to my very unofficial and random poll.

So here is the answer to the question I posed:

Top Western?
1. Lonesome Dove
2. Tombstone
3. High Noon

The Santa Clarita Cowboy Poetry and Music Festival was fabulous and we will be coming back next year, hopefully with lots of copies of the first book in my new series, The Case of the Deadly Desperados!

P.S. I forgot to put up a picture of a delicious couple of other Tombstone re-enactors, bad boy Nathan and hurdy girl Colleen. Nathan wears dark blue glasses with a tiny mirror in one corner so he can see who's sneaking up behind him! (I didn't mention to Nathan that buffalo soldier Victor Williams told me blue sunglasses were worn by those suffering from V.D.) No prizes for guessing Nathan and Colleen's fave Western... But Lonesome Dove still moseys in at the top place.

(Find out about my Western detective stories for kids at carolinelawrence.com)