Romance in Ancient Rome - a Quiz

Cupid on a crab

I) St Valentine was most probably
a) a Jewish priest
b) a Roman soldier
c) a Greek freedman
d) a Byzantine emperor

II) The Lupercalia was a mid-February Roman fertility festival. Which of these was NOT a feature?
a) setting doves free
b) half-naked youths
c) goat sacrifice
d) striking people with leather thongs

III) In first century Rome, the most popular month for marriage was
a) April
b) May
c) June
d) July

14 yr old Miriam the bride

IV) Who was Cupid's mother?
a) Minerva (Athena)
b) Venus (Aphrodite)
c) Juno (Hera)
d) Helen of Troy

V) When Pliny the 'Younger' was older he married
a) a besotted 14-year-old girl
b) his niece
c) the Emperor Domitian's niece
d) Cleopatra's niece

VI) The Romans believed the best finger for a wedding ring was
a) the middle finger of the left hand
b) the middle finger of the right hand (the left was unlucky)
c) the fourth finger of the left hand (like today)
d) the fourth finger of the right hand (the left was unlucky)

VII) The legal age for a girl to marry in first century Rome was
a) 10
b) 12
c) 14
d) 16

The Sirens of Surrentum

VIII) The legal age for a girl to become betrothed (engaged) in first century Rome was
a) any age
b) not younger than 6
c) not younger than 8
d) not younger than 10 (decreed Augustus)

IX) The most common cause of death among young women in ancient Rome was
a) malaria
b) measles
c) Latin
d) childbirth

X) The word 'genuine' comes from the Latin
a) genu 'knee' - because the father took his newborn on his knee to acknowledge it was his.
b) genus 'noble birth' - because if you were of noble birth you were a genuine aristocrat.
c) gens 'family' - because only the genuine members of the family could inherit.
d) genius 'guardian spirit' - because this spirit only protected the genuine family members.

Flaccus gives Flavia a love-poem

Bonus fact: Did you know the words 'Roman' and 'Romance' are linked? Also, Roma backwards is amor!

[If you want to learn more about Roman romance, read The Roman Mysteries, especially The Sirens of Surrentum, which has kissing from the very first line. You might also want to check out a blog I wrote about Romantic Roman Artefacts. Some of the pictures in this blog are from the Roman Mysteries TV series, available on iTunesUK. Carrying on from the Roman Mysteries, the Roman Quests series set in Roman Britain launched in May 2016 with Escape from Rome.]

P.S. The answers: 1 (b); 2 (a); 3 (c); 4 (b); 5 (a); 6 (c); 7 (b); 8 (d); 9 (d); 10 (a)

Saloon Archaeology Museum in Reno

tickets from Piper's Opera House

On the fifth floor of the Ansari Business Building at the University of Nevada's Reno campus is a gem of a museum, currently showing a fascinating exhibition of Western Archaeology. The University of Nevada, Reno Anthropology Research Museum is part of the Anthropology Department. At the time of writing (December 2011) the exhibition called Archaeology of the Mining West features artifacts from saloon digs at Virginia City, the Silver Boom town featured in the 1960s TV show Bonanza and now in my new Western Mysteries series of books for kids aged 9+. (There is also a small case of items from one of the excavations of the ill-fated Donner Party, where pioneers had to resort to cannibalism to survive.)

Jessica Axsom with pictures of a dig

I first heard about the museum from Dr. Jessica Axsom (left), an archaeologist at the Nevada State Historic Preservation Office in Carson City. Every morning for a week in November of 2011, Jessica gave me access to their little reading room so I could do research. On the last day she showed me a whole box of artifacts from Battle Mountain, (where my great-grandmother Corinne Prince was born in the 1870s.) Jessica also showed me pictures of her dig in the Chinatown area of Virginia City, where my books are set. She didn't have any artifacts from Virginia City, but she told me I could see some at the small Anthropology museum in Reno.

Ansari Business Building

Jessica told me to ask for Sarah Heffner, a graduate student in charge of the Virginia City exhibition. A few hours before we were due to fly out of Reno, my sister and husband and I drove to the impressive campus, found the Ansari Business Building and went up to the 5th floor. We were lucky enough to ride up in the elevator with someone who knew Sarah and she kindly took us to the museum. Serendipity: Sarah was there! The museum is literally one room with about half a dozen cases and a research room tucked behind. It is manned by graduate students like Sarah, a "Museum Technician", and volunteers like Robert. (The exhibit itself was designed by a Museum Training for Anthropologists class.)

Sarah Heffner, Caroline & volunteer Robert

antique bottles

A glass case explained that Dr. Donald Hardesty is the recently retired professor of archaeology who was responsible for excavating sites of the Pony Express, the Donner Party and various saloons in Virginia City. In the four or five cases devoted to artefacts found in his digs, I was thrilled to see items from various saloons around Virginia City. The Boston Saloon is particularly fascinating because it is the first African-American Saloon ever excavated. As Dr. Hardesty says, "Archaeology is another way of travelling into the past." Entering the Boston Saloon you might have seen a gaslit space filled with pipe smoke, the smell of lamb chops and fine wine, and the sound of trombone music above the babble of happy voices. (To find out how they deduced this, have a look at this 2-part film clip.)

cases in the small museum

Also on display were artifacts found on the site of Piper's Corner Bar, (later Piper's Opera House), the Hibernia Brewery and O'Brien & Costello's Shooting Gallery & Saloon. It was thrilling to see tickets from the Opera House, poker chips charred by Virginia City's great fire of 1875 and gun shells from beneath the saloon shooting-gallery. There was even evidence of children found in some of the saloons: marbles and a doll's arm! Yes, Virginia City was a wild place, even for kids.

toys from Piper's Opera House Saloon

Artifacts from saloons included bottles, bungs, white and red clay pipes, dice, animal bones, oyster shells, buttons, bullets, coins and even a tooth powder box. A water filter made in London and a glazed earthenware spittoon were represented by photos. There was also a case devoted to the Chinese population of Virginia City, (Sarah Heffner's special subject), including Chinese coins, pottery, tiny medicine bottles, a bone toothbrush and an opium pipe. It was a delightful half hour travelling back in the past. If you have any interest in the archaeology of the Wild West – or Virginia City – and find yourself on the Reno campus, I urge you to go along to the University of Nevada, Reno Anthropology Research Museum. Just tell them Caroline Lawrence sent you!

P.S. You can see more about Saloon Archaeology HERE and you can find out about the Western Mysteries HERE.

A Romantic Ten Roman Artifacts

Flavia admires herself in a bronze mirror   

by Caroline Lawrence

(this is a special "Americanized" version of an article I wrote for the Classical Association Blog)

Last month I blogged about a dozen of my favourite Roman artifacts. I love Roman artifacts because they are the talismans for my "Hero's Journey" back in time to first century Rome. Also, I use them as clues in my Roman Mysteries series for children aged 8+.

Here are another ten of my favourite artifacts. They are all replicas, but so skilfully made that they could be the real thing. Most of them are made by three clever re-enactors: Romano-celtic medicus Nodge Nolan, scribus peritus Zane Green and Steve Wade AKA Audax the gladiator. In addition to making high-quality replica Roman artifacts, these three talented guys all visit schools to talk about their Roman roles and participate in re-enactment events.

These ten artifacts are all linked to love, beauty or romance.

I. Bronze mirror

In Roman times there weren't many opportunities for seeing yourself very clearly. Maybe if you were mega rich you would have a polished silver mirror, but it wouldn't be as good as even the cheapest pocket mirror today. Considering all the skin diseases and sun damage it might have been a mercy in many people's cases. This wonderful bronze mirror is based on a real one from Pompeii. It partly inspired a scene from the BBC TV adaptation of The Pirates of Pompeii where Flavia wants to impress an older man and imperiously orders her slave girl Nubia to do her hair. In the picture above you can see her admiring the effect in a bronze mirror like this one.


II. Blown glass perfume bottle

Did you know that Romans sometimes added perfume to their wine to sweeten their breath? Ugh. But in that day before mouthwash and deodorant, scent was important. The Roman poet Martial has several epigrams about a perfume-maker called Cosmus. He was obviously the Calvin Klein of first century Rome. I had fun researching poison and perfume for my 11th Roman Mystery, The Sirens of Surrentum. I discovered the ingredients for the most expensive ancient perfumes. I found out which scents men would have worn. I scoured museums for perfume bottles and found one shaped like a little bird. I loved it so much that I worked it into my most romantic Roman Mystery, The Sirens of Surrentum. At a symposium, a woman named Annia Serena begins a story thus: One day when I was seven years old, my mother received a new perfume in the shape of a bird: a delicate blue glass bird that fit in the palm of her hand. You had to snap off the tip of the beak to release the perfume. Serena goes on to tell the shocking result of what happened when she crept into her mother's bedroom to have a sniff and accidentally broke the perfume bottle. (You'll never guess.)
This replica perfume bottle from the Roman site of Empúries in Spain is not shaped like a bird, but I love it anyway.

III. Club-of-Hercules earring

The delightfully-named Nodge Nolan made this earring for me when I was working on my sixth Roman Mystery, The Twelve Tasks of Flavia Gemina. Again, it is based on a Roman or perhaps Scythian original. Why a club? Not very romantic, you say.

Oh, but it is. It's a love club. A club of lurve.

This is the female equivalent of the cave man clubbing his desired cave girl and then dragging her by the hair to his cave. There is even a myth that as punishment for a crime, Hercules had to wear women's clothes for a year and serve a nymph called Omphale and SHE got to wear his lion skin and wield his club.

Cartilia flushed slightly. 'Well,' she said. 'I do have to admit I find your father very attractive. Plus, he still has all his teeth.' Flavia giggled and reached up to touch one of Cartilia's silver earrings; it was a pendant shaped like a tiny club of Hercules. (from The Twelve Tasks of Flavia Gemina)

IV. Beauty Set

I can't remember which re-enactor made me this beauty set, but he kindly engraved the name FLAVIA on the tweezers. Crude but useful, this would have been a poor person's kit for personal grooming. Designed to be worn around the wrist, it consists of (left to right) an ear-scoop, a fingernail cleaner and tweezers. Tweezers were used to pluck hair from underarms etc. Yowtch! The fingernail cleaner is self-explanatory. Ear-scoops were very popular in ancient Rome. Quite rightly, too. The alternative consists of something I saw when I was in Italy a few years ago: an old man who kept his pinky nail long for the express purpose of scooping out ear wax! Yuk.

The Roman poet Martial wrote a slightly naughty Saturnalia gift-tag epigram about an ear-scoop.

Auriscalpium - Si tibi morosa prurigine verminat auris, arma damus tantis apta libidinibus. 

Ear-scoop - If your ear-hole craves a good seeing-to, I've got a little tool that will satisfy such desires. (Martial XIV.23) Ew.

V. Broken oil flask

This broken (replica) oil flask is proof of why it would have been impractical to take a ceramic jar to the baths. Oily fingers are more liable likely to drop it on the mosaic or marble floor. For this reason some bath sets (see above) had little bronze flasks attached for scented oil. It wasn't just women who used scented oil, but men, too. Opobalsam, for example, was the ancient Roman version of Calvin Klein for men. Also known as 'balm of Gilead', its main ingrediant is juice from the exotic balsam tree. According to Pliny this tree is only found in Judaea, modern Israel. My pal Martial has a little epigram about this, of course:
Opobalsam. Balsama me capiunt, haec sunt unguenta virorum: delicias Cosmi vos redolete, nurus. 
Balsam captivates me! This is the oil for men! Gather round, girls and have a sniff of Cosmus's best.
(See? I told you Cosmus was the most famous perfume-maker in Rome...)
Hmm, I wonder if Flavia's groom wore opobalsam on their wedding day?

VI. Hair Pins

Roman women loved hair pins. You can get them in gold, silver, bronze, ivory, ebony or wood. They often have little objects carved or cast at the non-sharp end. Some represent feminine beauty and power: Venus or an empress. Some represent fertility: an apple or pomegranate. Some are apotropaic (they turn away evil) like a hand giving the mano fico, a gesture representing lady bits. (Don't ask) The hair pins shown here are from left to right, a brass hand holding an olive, a simple bone hairpin, a silver hairpin with decorative knob and a bronze stylus, which of course is not a pin but could stand in for one at a pinch.
Martial has a sweet epigram about a gold hairpin:
Acus aurea  - Splendida ne madidi violent bombycina crines, figat acus tortas sustineatque comas. 
Gold hairpin - Lest damp hair spoil brilliant silk, let this hairpin fix and hold up your twisted locks. (Martial 14.24)
I love that poem because I can see the girl fresh from the bath, doing up her hair in the Roman version of a chignon.

VII. Lead Curse Tablet

Steve Wade's beautiful replica curse tablet is made of lead, heavy and smooth and easy to bend. Defixiones, as they are called, have been found throughout the Roman world. You wrote a suitable curse on the lead (sometimes backwards or in code for extra power) and then you rolled it up and nailed it to a tree or door post near the person to be cursed, (hence the name defixio). However archaeologists have found curse tablets tossed in fountains or buried, especially as gods of the underworld were often evoked. Curses could be as mundane as cursing the person who stole your socks (like this one) or as vicious as wishing the death of a charioteer and all four of his horses. But the nastiest curse tablets must have been written by lovers against their rivals. Spirits of the underworld, I give you Ticene of Carisius. Whatever she does, may it turn out badly. I curse her limbs, her complexion, her figure, her head, her hair, her shadow, her brain, her forehead, her eyebrows, her mouth, her nose, her chin, her cheeks, her lips, her speech, her breath, her neck, her liver, her shoulders, her heart, her lungs, her intestines, her stomach, her arms, her fingers, her hands, her navel, her entrails, her thighs, her knees, her calves, her heels, her soles, her toes... (CIL 10.8249 edited)

Curse tablets make a guest appearance in my twelfth Roman Mystery, The Charioteer of Delphi.

VIII. Nubia's Flute

Music was an important part of Roman life, just as it is an important part of our lives. But we don't really know what it sounded like. Some clever scholars, like Susanna Rühling of Musica Romana, have done careful research to recreate the instruments and songs of ancient Rome. You can listen to samples on her website and see some of their beautiful reconstructions, like the double aulos, a twin flute. My replica flute is a monaulos (single pipe) from Egypt. It is just a cheap tourist version. In my books, Flavia's freed slave-girl Nubia is deeply musical and deeply romantic. Her flute is her most prized possession and she always wears it around her neck.  Nubia's handsome young Greek tutor Aristo plays the lyre and she realises she is in love with him when they are playing music together one day during the Saturnalia, in my sixth Roman Mystery, The Twelve Tasks of Flavia Gemina. (I wanted them to cast Robert Pattinson for the role LONG before he appeared in Twilight, so when you read my books, imagine RPatz as Aristo!)
Martial has a naughty epigram about a flute.
Tibiae. Ebria nos madidis rumpit tibicina buccis: saepe duas pariter, saepe monaulon habet. 
Flutes. The tipsy flute girl blows us with her moist mouth, sometimes two together, sometimes just one. (Martial 14.63)
Of course Nubia is not a tipsy flute girl. She is a good girl!

IX. Blank papyrus (because I don't have ivory tablets!)

Non est munera quod putes pusilla, cum donat vacuas poeta chartas, writes the poet Martial.
Don't consider it a small thing when a poet gives you blank sheets. (Martial 14.10)
One of my re-enactor friends, Zane Green, is skilled at preparing papyrus and ruling it and writing on it. But sometimes people gave blank stationery, especially if they were hoping for a letter in return. Here is Zane pumicing some papyrus to make it smooth. He has already ruled lines, ready for someone to write a love poem (or letter) on it. Papyrus comes from the famous Egyptian reed pounded flat and laid in two layers, one lengthwise and one widthwise. When my husband and I visited Egypt to research The Scribes from Alexandria, (in which Flavia and her pals go on a quest up the Nile to find Nubia) we were lucky enough to visit a papyrus factory and see a demonstration of how real papyrus is made.

Martial writes about other writing material and what it signifies. For example, small ivory tablets called Vitellian tablets are for love poetry.
Nondum legerit hos licet puella, novit quid cupiant Vitelliani.
A girl does not have to read these Vitellian tablets to know what they want! (Martial 14.8)

Flavia, 15, gets married

In my final Roman Mystery, The Man from Pomegranate Street, 12-year-old Flavia Gemina (now of a marriageable age) gets one of these Vitellian tablets from an admirer.
‘Who gave you the love-tablet?’ asked Tranquillus.
‘What?’
‘That.’ He pointed at the ivory booklet in her lap.
‘Why do you call it a love-tablet?’ she asked, aware that all the others were watching her, too.
‘Because it’s a love-tablet!’ he said. 
‘How can you tell?’
‘He’s right, Flavia,’ said Aristo gently. ‘It’s a love-tablet.’
‘Stop calling it that–’ she spluttered. ‘How can you possibly know–’
‘He knows because it’s small and dainty and made of ivory,’ said Tranquillus. ‘Did it come wrapped with a ribbon?’
Flavia nodded.
‘It’s the latest fashion,’ said Aristo. ‘For a man to give a woman he loves an ivory tablet with a poetic declaration of his feelings inside.'

X. "Carpe Diem" Scroll

Flavia's favourite motto is Carpe diem! Seize the Day! (Even though her father says her motto should be "Look before you leap!") The famous phrase comes from a Latin love poem by the famous poet Horace. This scroll is on papyrus, beautifully written out by Zane Green.

Tu ne quaesieris, scire nefas, quem mihi, quem tibi finem di dederint, Leuconoe, nec Babylonios temptaris numeros. ut melius, quidquid erit, pati. seu pluris hiemes seu tribuit Iuppiter ultimam, quae nunc oppositis debilitat pumicibus mare Tyrrhenum: sapias, vina liques et spatio brevi spem longam reseces. dum loquimur, fugerit invida. carpe diem, quam minimum credula postero.

Want to know the translation? Here's my slightly free version:

You should not ask, my love - for it is forbidden to know - what the gods have decreed for me or you. Don't even check your horoscope. Much better to embrace whatever happens, whether the gods have granted us many more winters or whether this is our last, which even now dashes the Tyrrhenian sea upon the rocks we gaze out upon. Relax, pour the wine, and put your dreams on hold for just a little. Even as we speak, jealous time speeds past. Seize the day, and do not put your hope in tomorrow. 

Test your knowledge of Romance in Ancient Rome with this easy QUIZ.

[If you want to learn more about Roman artifacts and Roman romance, read my books. The 17 books - plus supplementary titles - in the Roman Mysteries series are perfect for children aged 9+, especially those studying Romans. Americans will only be able to view DVDs of the TV series on computers but there is an interactive game.]

A Dirty Dozen Roman Artifacts

by Caroline Lawrence
(this is a longer and "Americanized" version of an article I wrote for the Classical Association Blog)

Whenever I visit schools to talk about my books set in Ancient Rome, I bring along some of my favorite artifacts. Most of these aren't real antique objects, but convincing replicas made by my re-enactor friends or bought in museum gift shops. But they are close enough to the original to give children a visible, tangible idea of how 1st century Rome differed from 21st century Britain or America. I let the kids look at them, sometimes handle and sniff them, even taste them. The Roman poet Martial mentions some of these artifacts in his fourteenth book of Apophoreta, poetic Saturnalia gift-tags. In these charming two-line epigrams the gifts sometimes speak in first person. e.g. the bedroom lamp which promises that no matter what it sees, tacebo: 'I won't talk.'

These artifacts help me get a little closer to the mindset of a first century Roman. Quite a few of them end up appearing as clues in my Roman Mysteries series of books. Here are a dozen of my favorites.

I. Clay oil-lamp

A clay oil-lamp like this reminds us that Romans had no electricity. Roman houses would have been dimly lit at night and smoke-streaked during the day. Fire was a constant risk. This fun oil-lamp in the shape of a sandalled foot is a replica of an oil-lamp found in Londinium. I bought this particular lamp at the Museum of London and as you can see from the scorched big toe, I've tried it out. It even has hobnails on the bottom. In my third Roman Mystery, The Pirates of Pompeii, Jonathan tells oil-lamp jokes (the ancient equivalent of light-bulb jokes) to cheer up children captured by pirates.

II. Strigil

This strigil or scraper reminds us that Roman bathing habits were very different from ours. They didn't use soap, but oil (hence the bottle) in a public ritual of oiling up, exercising, steaming, sweating and then scraping with the strigil. As you pulled the strigil across your sweaty skin, it would remove the oil, and along with it the layer of dead skin cells, dirt and sweat. You would get a bath attendant or slave to do your back. In Martial 14.51, a strigil tells us that if you regularly use him you won't have to take your towel to the cleaner's so often. Even more exciting is the claim by Pliny the Elder in his Natural History that some gladiators collected their scrapings (charmingly called gloios) and sold the disgusting mixture to rich Roman ladies.
To find out how rich Roman women used gladiator scrapings, read the sixth Roman Mystery, The Twelve Tasks of Flavia Gemina.

III. Wax-tablet

Wax tablets like this one remind us that Romans didn't have email or text messages, or even a cheap version of writing paper. You had to use parchment, papyrus, thin sheets of wood, or re-usable wooden tablets with wax in a shallow depression. You would use a tool called a stylus with a sharp end for writing and a flat end for rubbing out. The wax on the famous tablets from Vindolanda has long gone, but clever archaeologists can still make out traces of letters and words in the wood underneath. In my fourth Roman Mystery, The Assassins of Rome, my mute character, Lupus, figures out how to retrieve a life-or-death message which disappeared after blazing summer sunshine melted the wax on an open tablet.

IV. Bleeding cup

This large bleeding cup (they also come in small) reminds us that Romans had a different concept of medicine and health. Bronze bleeding cups were used for both ‘dry’ and ‘wet’ cupping. In dry cupping, a flaming piece of lint was put in the cup and then applied to skin. The flame immediately went out and a vacuum sucked out the "bad humor". In wet cupping the doctor made an incision in your arm and drained a cupful of blood. This was the Roman equivalent of taking two aspirin. There must have been some benefit, people have been doing this since Roman times. A few years ago, the actress Gwyneth Paltrow was seen with distinctive marks of 'dry cupping' on her back. In my seventh Roman Mystery, The Enemies of Jupiter, there is a plague in Rome. Nubia and her friends see first-hand how bleeding is done by both experts and quacks. Not for the squeamish!

V. Roman spoon

A spoon like this reminds us that food was a constant preoccupation of the Romans. The strange kink in this spoon is a relic of spoons that could be folded in half for easier carrying in a belt-pouch. If invited to dinner, you took your own spoon. Some Romans took their own napkins, too. As well as dabbing your mouth, you could use it to carry home leftovers as a sort of 'doggy bag'. The sharp end on the spoon is for spearing goodies previously cut into bite-sized pieces by helpful slaves. Some spoons had little hooks on this end; they were snail-spoons. Martial's snail-spoon says, "I'm useful for eggs as well as snails, so why do they call me a 'snail-spoon'?" (Martial 14.121) There were no forks in Roman times, apart from the big ones used by gladiators, that is. I had fun with a dinner party scene from my first Roman Mystery, The Thieves of Ostia.

Alma proudly carried in the first course and set it on the table: sea snails fried in olive oil, garlic and pepper. The snails had been placed back in their shells and Alma handed each diner a special spoon with a small hook at one end to extract the snail...Flavia showed Jonathan how to extract a snail and then watched as he gingerly picked up one of the shells between finger and thumb and hooked out its contents. He paused to examine it: the snail was small and twisted and rubbery and brown. Jonathan closed his eyes, took a deep breath and put it in his mouth. (The Thieves of Ostia, p 37 )

VI. Nuggets of gum mastic

These little nuggest of mastic resin from the Greek island of Chios remind us that in many ways the Romans were just like us; this is their version of chewing gum.  I bought these in a small shop on the island of Kos, famous for its medical sanctuary. To me, mastic tastes like a combination of cumin and carrot, only sweeter. Pop one of these in your mouth and chew for a few minutes then take it out. It will have gone white, just like modern chewing gum. In fact you can still buy mastic gum today in Greece or in specialist shops. They say chewing it is good for stomach complaints. And of course it freshens your breath, like the fennel seeds in the bowl above. We know from Martial 14.22 that you could even get toothpicks made of gum mastic. In my ninth Roman Mystery, The Colossus of Rhodes, Flavia meets a good-looking, rich Roman patrician on his "gap year". He makes a bad first impression by ignoring her and also by chewing gum:

Gaius Valerius Flaccus rested his forearms on the polished stern rail and chomped his gum. 'My father left me a nice legacy,' he remarked, 'and I thought I'd see the Seven Sights before I begin to practise law in Rome.' (The Colossus of Rhodes, p14)

VII. Phallic amulet

This fascinum or charm reminds us that the Romans were deeply superstitious. This little willy flanked by two big ones wasn’t rude; it was designed to avert the evil eye. You can see a few tiny phallus amulets in the Roman Life Room of the British Museum, they were specially for babies and young children, who were particularly vulnerable. You can also see bigger "wind chime" versions with wings and bells on, to protect the whole house. I bought this particular replica at a Roman site (Empúries) in Spain. I had fun introducing this on the very first page of The Colossus of Rhodes:

Lupus stared in amazement at the little bronze pendant hanging from its linen cord. 
It was shaped like a part of the body. 
Part of a boy's body. 
A very private part of a boy's body. 

VIII. Glass ‘chariot beaker’

Beautiful glass beakers like this remind us that Romans had the ancient equivalent of souvenir mugs. This authentically-made mold-blown cup by Roman Glassmakers David and Mark is a replica of one from Colchester in Britannia (known as the "Colchester Cup"). Although none of this exact type have been found in Italy, versions of it must have been sold in the Circus Maximus, for it shows the spina (central barrier) of that arena in the middle band. Below the spina are four quadrigae. Right at the top, the charioteers are named: Antilochus, Hierax, Olympas and the winner Crescens, who holds his right hand up in triumph.
Naturally this beaker makes an appearance in my chariot-race-themed Roman Mystery, The Charioteer from Delphi, where Flavia and her friends meet an ancient Roman version of David the Roman Glassmaker. And of course all the charioteers named in the beaker make appearances, too.

IX. Wooden dice

Dice remind us that the Romans adored board games and games of chance, even though gambling was illegal apart from during the Saturnalia. When I visit schools, I bring cheap wooden dice in a wooden shaking cup. What I'd really like to bring is this beautiful rock crystal die from room 69 – the Roman Life Room – in the British Museum. I love this artifact so much that I made it a vital clue in my first book, The Thieves of Ostia, about dog-murder in Rome's ancient port. Martial's die claims to be better than knucklebones, which were also used for gambling (Martial 14.15) I also have an amusing scened at the beginning of The Twelve Tasks of Flavia Gemina, where the Geminus household are throwing dice to see who will be crowned 'King of the Saturnalia'. When Flavia's turn comes she uses one of Lupus's special 'shaved dice' to ensure that she wins. Cheat!

X. Brass seal box for wills

This little teardrop-shaped bronze seal box reminds us that Romans were concerned with law, order and munus (duty). It was every Roman’s duty to make a will and have it properly witnessed and stored. Wills were written on wooden wax-tablets, then bound and sealed, often with a small bronze box like this. You dripped sealing wax into the open box and it would stick to the wood and twine wrapped around it. There would be no way of opening the will or altering it without disturbing the seal. In this picture we see the underside of the seal box with holes for the wax to leak through. My unlucky thirteenth Roman Mystery, The Slave-girl from Jerusalem, has lots to do with will-making, death and funerals.
You can buy a seal box like this and in different models online at Armamenta.

XI. An ‘as’ of Domitian

This bronze coin reminds us that Romans were among the first to use the idea of a product brand in the picture of the emperor… on money. This as (a coin worth a fourth of a sestertius) is a genuine first century artifact. I bought it at the antique dealers opposite the British Museum. I'd prefer a coin of Titus who was the emperor when my books are set, but he reigned for a brief 26 months, so coins with his face are quite hard to find. In the final book of the series, The Man from Pomegranate Street, I try to solve the mystery of whether Titus's sudden death was natural or not. And if not, was he murdered by his younger brother Domitian?

XII. Sponge-stick

This delightfully disgusting object, a soft sea sponge on a stick, reminds us that the Romans were both fastidious and revolting to our modern sensibilities. This was a spongia, a bottom-wiper. You can read more about it HERE. The sponge-on-the-stick appears at the beginning of Lupus's special book, The Dolphins of Laurentum, and also features in the first of my new spin-off Roman Mystery Scrolls for early readers, The Sewer Demon. 

Themes & Topics

Themes and Topics in the Roman Mysteries

compiled by the author herself: Caroline Lawrence

These are the various themes and topics I had in mind while writing the Roman Mysteries. But writing is as much an intuitive right-brain exercise as a logical left-brain one. In other words, even the author doesn't always know everything he/she is doing. So if you think you've seen something new or different, you are probably right!


Book 1: The Thieves of Ostia (theme: fear of the unknown)
Roman topic: introduction to a Roman town (Ostia port of Rome) & Roman social structure.
Real historical characters: Cartilius Poplicola (resident of Ostia attested in inscriptions)
Sources: The Aeneid, the Bible, Ostian inscriptions
Greek myths: Aeneas, Cerberus, Perseus and Medusa
featured food: snails, stuffed dormice, dates, fruit
key artefacts and objects: signet ring, wax tablet & stylus, oil lamp, tombs, amphoras, quartz dice
ROMANS Key Stages 2 & 3 - relevant blogs: How to Make a Stola, A Day in Ostia

Book 2: The Secrets of Vesuvius (theme: parentage & adoption)
Roman topic: the eruption of Vesuvius and destruction of Pompeii & surrounding towns
Real historical characters: Pliny the Elder, Titus Tascius Pomponianus, Rectina
Sources: Pliny the Younger, Pliny the Elder, Catullus, Ostian graffito
Greek myths: the return of Vulcan, Thetis, Achilles
Roman festivals: Vinalia, Vulcanalia
Pliny's simple fare: cheese, fruit, eggs; Tascius's rich fare: turbot in dill sauce
key artefacts: scrolls, portable inkpot & pen, flute, pan-pipes, parasol, cushions

Book 3: The Pirates of Pompeii (theme: slavery & freedom)
Nubia's book
Roman topic: Patrons and clients, slaves and freedmen
Real historical characters: The Emperor Titus, Pollius Felix (attested in a poem of Statius)
Historical site: the villa of Pollius Felix on the Cape of Sorrento, Scraio (spa town near Sorrento)
Sources: Pompeian graffiti, Statius's 'Silvae' (poems)
Greek myths: Dionysus and the pirates, Ariadne & Theseus
food: lemons (recently introduced); goat stew, flat bread, chickpeas, mineral water, sage tea
key artefacts: earrings, hairpins, theatrical masks, lyre, flute, kylix (Greek drinking cup)

Book 4: The Assassins of Rome (theme: guilt)
Jonathan's book
Roman topic: Nero's golden house, the destruction of Jerusalem, Jewish slave labour, chariot races
Real historical characters: Emperor Titus, Berenice, Domitian, Josephus
Sources: Suetonius, Cassius Dio, Homer, Josephus, the Bible
Greek myths: Odysseus, Polyphemus the cyclops, Penelope the faithful wife
Jewish festivals: Rosh Hashannah, Yom Kippur, Succot
featured food: exotic oranges; buttermilk; honey dipped apples for Rosh Hashanna
key artefacts: wax tablet & stylus, alabastron, loom & weights, bass lyre, tambourine

Book 5: The Dolphins of Laurentum (revenge & forgiveness)
Lupus's book
Roman topic: a real maritime villa, sponge-diving on the Greek islands
Real historical characters: Pliny the Younger
Sources: Pliny the Younger's letter about his Laurentum villa (letter II.xvii)
Greek myths: Medusa, Arion & the dolphins, Neptune & Amphitrite
Roman festival: Meditrinalia
featured food: honey glazed prawns, chicken soup
key artefacts: sponge-stick, sea-sponges, dolphin earrings, anchors, ball games

Book 6: The Twelve Tasks of Flavia Gemina (love & marriage)
Flavia's book
Roman topic: Love, betrothal and marriage in first century Rome
Historical site: notable buildings in and around Ostia
Sources: Ostian inscriptions, Ovid, Martial, Apollodorus
Greek myths: Twelve Tasks of Hercules, Pygmalion, Cerberus, Atalanta
Roman festival: Saturnalia
food: lentil stew, eggs, plums, oysters, mushrooms, quail pie, boar, ostrich, love potion!
key artefacts: sigilla (figurines), dice, objects in household shrine, strigil & bath set

Book 7: The Enemies of Jupiter (theme: hubris)
Jonathan's book
Roman topic: medicine and doctors in first century Rome
Real historical sites: Tiber Island, Palatine Hill, Capitoline Hill and the Temple of Jupiter
Sources: Suetonius, Cassius Dio, Galen, Pliny the Elder, Hippocrates
Greek myths: Prometheus & Pandora, Aesculapius, Niobe and her children
featured food: food for medicinal properties, light, medium & heavy foods, etc
key artefacts: bleeding cup, votive parts of the body, medical instruments

Book 8: The Gladiator from Capua (theme: blood & sacrifice)
Nubia's book
Roman topic: gladiators, beast-fights and the opening of the Colosseum in spring of AD 80
Real historical sites: the Flavian Amphitheatre (the Colosseum), Domus Aurea, Mons Testaccio
Real historical figures: Titus, Domitian, Carpophorus the beast-fighter, Martial
Sources: Martial, Suetonius, Cassius Dio, Ovid, Statius, Seneca, Pliny
Greek myths: Orpheus, Ganymede, Prometheus, and more
Jewish festival: Passover
featured food: barley porridge for gladiators, snacks sold at games, etc.
key artefacts: gladiatorial arms & armour, ancient souvenirs, lottery balls thrown to crowds

Book 9: The Colossus of Rhodes (theme: vows & promises)
Lupus's book
Roman topics: the seven wonders of the world, ancient 'tourism'
Historical sites: Rhodes, Symi , Kalymnos
Sources: Pliny the Elder, Apollonius of Rhodes, Homer
Greek myths: Jason and the Argonauts by Apollonius of Rhodes
GREEKS KS2 & 3 - relevant blogs: Colossus of Rhodes, Ancient Gum, Hylas

Book 10: The Fugitive from Corinth (theme: jealousy)
Nubia's book
Roman topics: Greeks in the Roman world
Historical sites: Corinth, Delphi, Athens
Sources: Pausanias, Apollodorus, Herodotus, Aeschylus
Greek myths: Theseus's Athenian adventures, Eumenides

Book 11: The Sirens of Surrentum (theme: sex & decadence)
Flavia's book
Roman topics: Roman philosophy and the failed plot to kill Nero
Historical characters: Nero, Seneca, Lucan, Polla Argentaria, Flaccus
Sources: Seneca, Lucan, Suetonius, Tacitus, Statius, Propertius
Greek myths: Dido and Aeneas, Odysseus and the Sirens
ROMANS KS3 - relevant blogs: Villa Limona, Serendipity in Surrentum, Poison
(N.B. THIS BOOK CONTAINS ADULT THEMES)

Book 12: The Charioteer of Delphi (theme: faithfulness)
Nubia's book
Roman topics: chariot races and factions
Historical site: the Circus Maximus
Historical characters: real charioteers like Scopas, Hierax and Crescens
Sources: Ovid, Juvenal, Martial
Greek myths: Pelops and Oenomaus
Roman festivals: Ludi Romani
ROMANS KS2 & KS3 - relevant blogs: Fun Chariot Facts, Roman Horse Names

Book 13: The Slave-girl from Jerusalem (theme: death & birth)
Jonathan's book
Roman topics: childbirth, funerals, wills, Roman law courts, gestures of a rhetor
Historical backstory: destruction of Jerusalem and siege of Masada
Sources: Josephus, Quintilian, Cicero, Juvenal, Seneca, Roman legal documents
Greek myths: Jason and the Argonauts by Apollonius of Rhodes
featured food: pea and leek soup, mastic chewing resin, sage tea, chestnut flour
key artefacts and objects: birthing chair, funeral pyre, bier, tombs, seal-box for wills

Book 14: The Beggar of Volubilis (theme: piety)
Flavia's book
Roman topics: Roman theatre, Cleopatra's descendants, sightings of Nero
Historical sites: Sabratha, Tripolis, Volubilis, Ghadames
Sources: Strabo, Pliny the Elder, Plutarch
Greek myths: Diana and Actaeon
featured food: millet porridge, roast locusts, lizard meat, camel-milk pancakes, senna tea, cola nuts
key artefacts and objects: bow, arrows, quiver, betrothal ring, bath-set, Nero's emerald, lens
EGYPT KS2 & KS3 - relevant blogs: Volubilis, Ugly Cleopatra

Book 15: The Scribes from Alexandria (theme: going home)
Nubia's book
Roman topics: Roman Egypt especially Alexandria, eunuchs, the Great Library, the Nile
Historical sites: Canopus, Alexandria, Giza, Edfu, Aswan, Nubia
Sources: Strabo, Martial, Juvenal
Egyptian myths and legends, including story of Isis, Osiris and Seth
featured food: sun-bread, bean porridge, palm wine, onions, leaf-cups, dom-fruit
key artefacts and objects: hieroglyphs, graffiti, riddles, codes, treasure map

Book 16: The Prophet from Ephesus (theme: redemption)
Jonathan's book
Roman topics: early church in Asia Minor
Historical sites: Halicarnassus, Ephesus, Hierapolis, Laodicea, Heracleia
Historical characters: St John the Evangelist, Tychichus
Sources: Strabo, the New Testament
Greek myths: Pluto and Persephone, Endymion and Selene
featured food: grapes from the vine, cucumber, sour cherry juice, sheep entrail kebabs, pomegranates
key artefacts and objects: dolls, travel baskets, reed flute, lyre, carpets, looms

Book 17: The Man from Pomegranate Street (theme: resolution)
Flavia's book
Roman topics: mysterious death of Titus in September AD 81
Historical sites: Rome, the Sabine Hills, Palace of Domitian and the 'Emissario' on Lake Albanus
Historical characters: Titus, Domitian, Ascletario, Gaius Valerius Flaccus, Gaius Suetonius Tranquillus
Sources: Suetonius, Babylonian Talmud, Apollonius of Tyana
Greek myths: Romulus and Remus, Rape of the Sabine Women, Death of Odysseus
featured food: Sabine olive oil, brown bread, honey, grapes, imported oysters
key artefacts and objects: needle-sharp stylus, graffiti, wedding veil and the spear to part the bride's hair

[The Roman Mysteries books are perfect for children aged 9+, especially those studying Romans as a topic in Key Stage 2. You can watch a television adaptation of some of them on Amazon Prime. For more information about Caroline's other books, go to carolinelawrence.com.]