Showing posts with label Flavia. Show all posts
Showing posts with label Flavia. Show all posts

Friday, July 18, 2014

Stabian Villas in 2000

Most of the action in my second book, The Secrets of Vesuvius, takes place on the plain of Stabiae, a Roman town on the bay of Naples, south of Pompeii and Vesuvius. 

In my book, it is the summer of AD 79. My 10-year-old detectrix Flavia Gemina has gone with her father and friends to visit her uncle Gaius, a farmer. Little do they dream that the mountain called Vesuvius will soon erupt! 

I travelled to this region in October 2000 to check facts and get a feel for the terrain. Now known as Castellammare di Stabia this area is not exactly beautiful, but it is incredibly fertile. 

One of the things I wanted to do was visit the beach at Stabia. This was where Pliny the Elder died. His companions survived the pyroclastic flow but his asthmatic lungs could not cope. After his poignant death, Flavia and the other refugees continue south around the promontory on foot. There are no sources supporting this; it's just my assumption. 

In my research, I had read about the 'Milky Mountains' behind the plain of Stabia. I imagined them to be gentle mounds upon which sheep and cattle grazed. When we first took the Circumvesuviana railway through the modern town of Castellammare di Stabia, I saw that the 'Milky Mountains' were steep ridges, rearing almost vertically above the fertile plain. In fact, they are so steep that there is a funicular to take to you the top of Monte Faito, the tallest of them. It is from this vantage point that I open the sequel to The Secrets of Vesuvius: The Pirates of Pompeii

On Friday the 20th of October, 2000, I decided to make an early start and see as much of Stabia as I could. Here are some excerpts from one of the little pocket diaries I always carry with me.

'STABIA DAY'



5.30 am - I am suddenly awake 

6.00 am - I leave our villa on the Capo di Sorrento quietly, so as not to wake the others, going out through the sliding glass doors in the living room. For a moment I stand on the terrace. It is still dark, but beautifully mild. I have packed my rucksack with towel, shampoo, hairbrush, etc. In case I find the ancient but still operating baths of Stabia. 

6.10 am - I thought one of the little orange buses might be waiting at its stop by the American Bar at the bottom of the hill, but 6.00 in the morning is obviously too early. So I set off briskly down the road to Sorrento. I have walked it before, and I know it only takes about 20 minutes. The yellow-orange sodium lights give plenty of light. Directly above hangs a beautiful half-moon.

But I've barely gone a few paces when I hear someone following me!

Someone? 

Or SOMETHING!?

I hear the skitter of toenails on the paved road and a panting sound.


Yellow dog and flea
It's a dog! A yellow dog. 

'No, boy. Go back!' I say in my firmest voice.
The yellow dog stands up, puts his paws on my arm, grins and barks.
'No. Stay. Stay!' I repeat.
He accompanies me all the way to the waterfall at the outskirts of Sorrento. Sometimes, for no reason I can discern, he chases a car, barking at it. But other cars he ignores? Why?

6.20 am - I have a revelation! On a previous research trip to Ostia, Flavia Gemina 'appeared' to me. Here is another character from the pages of my book: Scuto!

I should have seen it before! The golden-brown woolly coat, the absently wagging tail, the cheerful bark and grin, the slightly lopsided ears... most of all the faithful, comforting companionship. 

6:30 am - 'Scuto' waits with me at the bus stop for a few minutes, and when I shrug and resume walking he carries on beside me. When at last I reach the outskirts of Sorrento town he peels off to go have a sniff and I don't see him again. I miss him... 

6:45 - The Sorrento train station is the end of the line for the Circumvesuviana, (so called because it goes 'around Vesuvius'). It's a pretty station with palms and bougainvillea adding colour to the clean, new platform. 

6.50 am - It's just getting light when I buy my return ticket to Castellammare di Stabia. There are no tourists at this hour, just commuters: students and distinguished-looking civil servants who say 'Ciao!' when they step on the train, before they even see who is sitting there.

6.55 am - Perhaps the commuters always choose the same car, because they soon find friends and start chatting. They are very cheerful for that hour of the morning. I feel out of place. I can see from my reflection as we go through a tunnel that my hair is still mussed from my stealthy exit earlier that morning. Peering around me with notebook poised, I must seem slightly suspect. In the crowded train the seats around me are conspicuously empty. 

7.00 am - We rattle through the lesser towns: the delightfully named Piano di Sorrento, Meta, and Vico Equense with its Roman aqueduct out the right hand window. A lot of commuters get out here and then we continue on through the mountain to Castellammare.

7.05 am - We finally emerge from the long tunnel, the green cliff rising steeply on our right, and pull into Castellammare. The sun is just rising to the east somewhere over the plain. But I can't see it because the town is full of tall buildings. Originally, I had asked the travel agent to find a villa here, because this is where The Secrets of Vesuvius is mainly set. 

The travel agent ignored my request and gave us a villa in Sorrento. 'Nobody stays in the plain around Pompeii,' she informed me. 


7.07 am - I set off down the road from the train station and start to ask people where the baths are. My guide book to Naples says 'Thermal Baths; Piazza Amendola; June - Oct; 7am - 1 pm.' Well, it's October and it's just past 7am... I see a lurid poster for a Circus featuring piranha fish and beautiful women. 

7.10 am - I wander down to the 'beach' of Stabia.The sand is a rather unattractive grey brown. More like dirt than sand. It is a big beach, with a smooth opalescent bay beyond, dominated by Vesuvius's truncated cone. The coast stretches round to my right and there are are dockyards on my left. 

7.15 am - Along the waterfront dozens of joggers - both men and women - are running back and forth. Many of them stop and do leg stretches on the balustrade dividing the waterfront from the beach. This is obviously what the residents of Castellammare do at 7.00 am on a weekday. I ask one or two of the 'stretchers' about the baths. Nobody here in Stabia seems to know that their town is blessed with thermal baths. Even the oldest and the most venerable of them give each other glances and edge away from me when I enquire. Finally a man in a red and blue tracksuit gestures vaguely up the street, back towards Sorrento. 

So I set off to find the baths...


7.20 am - As I pass the dockyards in search of the baths of Stabia, I see a sign warning that cars might fall into the sea. The sign reminds me...

The day before we had just stepped off the ferry onto Capri when we heard shouts and turned just in time to see a tiny yellow Cinquecento (smaller than a Mini) rolling into the harbour!

Its front wheel was already over the edge and two Italians were hanging onto its rear yelling 'Aiuto! Aiuto!' For a moment it looked as if it could go either way. Then every Italian man in the piazza left their cups of espresso and swarmed over the little yellow car and pulled it back to safety. 

Thankfully, there was no-one inside. But someone had obviously left the parking brake off. As they pulled the little car back to safety there was much laughter and back slapping and rude jokes (I presume) at the car's expense. 

7.25 am - I am still trying to find the thermal baths of Stabia. I have visions of steamy Turkish baths full of short, moustached Italian women; of a massage on a marble slab; maybe even a mud-bath. I have purposely not washed my hair for a few days in anticipation. It's a bit itchy and I scratch it thoughtfully as I wander along the waterfront of Castellammare di Stabia.

I don't see any baths. 

Across the road is a smart looking coffee shop called the Excelsior Cafe. I figure someone in such a posh-looking joint might speak some English. Yes, he does. Yes, he knows the baths. I'm heading in the right direction but he doesn't think they open until 9.00 am. I glance at my watch:

7.30 am - As I leave the cafe, I note again that many Italian cafes don't have chairs or stools, just a bar at which to stand and grab a quick doppia (a double measure espresso) and one of those cheese filled croissants that seem so popular. It seems the Italians are in even more of a hurry to get through life than Londoners or New Yorkers... I proceed up the street through a distinctly non-tourist area of town. I get suspicious looks from women hanging laundry from windows, men lurking in alleys and high school students on their way to school. 


Then I discover that the way to deal with this intensely suspicious glance is to disarm it with a cheery smile and a bright buon giorno! This has the most amazing effect. Immediately the glowering face is transformed to a delighted smile. I ask some kids where i termi are. They point behind me. 

There, behind a crinkled street-sweeper with a twig broom is a huge fascist-looking structure. Sure enough, cleverly hidden behind a shrub are the words TERME STABIANI... A group of men loiter on the stairs and the steep green cliffs of the Milky Mountains rise up behind it. With some trepidation I mount the steps. I am thinking sauna, massage, mud wrap, steaming hot sulphurous baths...
The man at the ticket window looks blankly at me when I ask for the baths. He gestures vaguely back towards town. Then he hands me a brochure. Apparently the mud baths, massage and saunas are available in the posher part of Stabia, up in the hills in a private beauty clinic. Then he hands me a plastic cup and gestures for me to enter. I stand for a minute feeling extremely stupid, then hesitantly walk towards the huge iron doors. This is going to be a very interesting bath, I think to myself, holding my plastic cup as I pass through the gates.

7.45 am - I find myself outside again. The green cliff rises up before me. To my right is a large open space with table and chairs. The chairs are all stacked on the tables, but presumably in summer this place is crowded with people. 

To my left are semi-circular steps leading down to a kind of altar from which nine pipes protrude. Each one spouts cold water into a marble trough. Above the pipes are the words in Latin 'Creationis Gloria Humanitatis Salute' which I guess means something like 'The Glory of Creation for the Health of Humanity'... 


Looking closer, I see that the spouts are labelled: Solfurea Ferrata (Sulphur Iron), Ferrata, Solfurea, Magnesiaca, S. Vincenzo, Media, Acidula, Solfurea Carbonica and Muraglione.

Nine different types of water gush from nine pipes which emerge from the cliff. Suddenly I get a strong whiff of sulphur, as if someone were waving a hard-boiled egg just under my nose. It really gets me in the back of the throat. I stand with my plastic cup, watching peasant women and joggers fill empty bottles, cups and even cupped hands to get the water. They bottle and drink it avidly.

I take a deep breath and bend to fill my cup with Solfurea Ferrata. I stand and sip it. It's cold and tastes of fizzy, salty eggs. I drink it down. 

The Ferrata is just salty and fizzy. 

Then I try just the Solfurea. It's eggy.

As I finish my third cup an odd woman smiles at me. She has been drinking from S.Vincenzo and is patting it on her cheeks.

She sees me watching and indicates that S.Vincenzo is good for the skin. In fact it's good for all over. She points to the Magnesiaca and prods her stomach. 'Per stomaco' she says. Then she points to the first three pipes, the ones I've been drinking from. She makes a downwards sweeping motion with her hands and says something which sounds like, 'Clistere, clistere...' Clyster?

Oops! I've just drunk three cupfuls of water designed to loosen the bowels!

The marble trough which catches the water as it gushes out of the pipes is rust red, presumably from the high iron content. This is REAL mineral water. A man is filling plastic water bottles from the Ferrata pipe and there is half an inch of red-orange sediment at the bottom of his bottle! I try more of the water, this time just taking a taste. The Acidula isn't acid. The Solfurea Carbonica just tastes salty. I suppose an expert would describe it as 'eggy, with a hint of iron and the insouciant fizz of bicarbonate...' but to me it all tastes the same. 

As I walk back along the waterfront towards Stabia's train station, I notice that most of the joggers have been replaced by Italian naval officers who look as if they've just stepped off a battleship.
Wearing well-cut navy blue uniforms and white caps, they look extremely smart as they stroll towards the coffee shops for their tiny jolt of espresso. 

8.30 am - When you come into Stabia by train, the sign on the platform reads: Stabia di Castellemmare/Villa Romana. So I figure the environs of the train station would give the best lead for finding the famous Roman villas. No such luck. No-one seems to have a clue what I am talking about. Can 'Villa Romana' be so hard to understand? At last I spot a brown 'historical interest' sign promising 'scavi': excavations. It directs me up the main street, in the opposite direction from the baths.

8.35 am - I duly set off through the centre of the modern town. Shopkeepers are opening up shops and schoolchildren making their way to school. Traders have just finished setting up fruit and veg stalls displaying the most wonderful variety of produce: yellow-green baby pears, black grapes, purple figs, pale green fennel, mottled green zucchini, glossy aubergine and tomatoes still on their stalks. 


8.40 am - And the fish stalls! Flat round blue trays filled with shellfish, red mullet, anchovies, and fish I couldn't begin to recognise or name. This probably hasn't changed in two thousand years. Except for the plastic scoop. 

I notice the brick pavements are set with white marble patterns, presumably for the same reason ancient Pompeian sidewalks had marble chippings - to help you see them in the night. These were the ancient Roman version of cat's eyes. 

8.45 am - At last I reach a hill where the street divides, becoming bigger and busier. Ahead of me, the road sign indicates that the 'scavi' can be reached by going either right or left. It's a busy road and I can't go on foot. While staring round distractedly I notice a line of tiny mini-bus taxis which have just finished doing their school runs. I approach one of the drivers, a short young man with dark hair, and I point to the address in my guide book. Though he speaks no English he understands where I want to go and agrees to take me.

8.50 am - I am the only passenger in a little 'buslet' meant for five or six school children. I feel a bit like Gulliver among the Lilliputians: if I sit up straight my head touches the car's roof! Up the hill we buzz. Up an up, round and round, finally ending up at a small white wooden house at the end of a track. Several men come out onto the porch, lean their elbows on the rail and grin down at us. My driver gets out and shows them my guide, asking if this is Villa Ariadne.

'Yes.' they say. 'Of course this is the Villa Arianna.' A tour of the villa should take about 20 minutes. The driver agrees to wait for me. I show the Villa Ariadne men my ticket from Pompeii: it's supposed to allow you free entry to these other sites. One of the men, a pleasant looking Italian with grizzled hair, waves it aside. 

'No payment,' he smiles. 'Just sign guest book.' 

Then he takes a heavy bunch of keys from his pocket and leads me across a grassy, dew-soaked field for my private tour of not one but two opulent Roman villas, both set right at the edge of a cliff, looking down on suburban houses and small gardens built where the sea bed would have been 2000 years ago. But eheu! Alas! I have run out of film. I can't take photographs of the two amazing villas he shows me. [Needless to say, this is before the age of digital cameras or iPhone backups.]

9.00 am - At the first villa I can still see the remains of the terrace where guests would have sat to sip honeyed wine and to watch the sun set. They must have had a stunning sea view in ancient times. This is the famous Villa Ariadne, so called after a fresco of Ariadne lolling about on a rock, after Theseus has abandoned her on the island of Naxos. The young wine god, Dionysus, has just arrived to console her. The famous fresco is now at the Archaeological Museum in Naples.


One of the most famous paintings of Roman times comes from this villa: it is a tiny figure of the goddess Flora. It's also in Naples, of course. [Seven years from now, Bulgarian set designers will paint a much larger version on the set of the TV series based on my books.]

9.10 am - These Roman villas on the hill overlooking Castellammare di Stabia are astounding. Huge rooms, all triclinia (dining rooms) according to my guide, with frescoes on the walls and mosaics on the floors. Some of the stairs to the upper floors still remain. There are tiny slaves' quarters, huge reception areas, hidden passages and narrow halls. These were really vast mansions. These would have been the neighbours of Pliny the Elder's friend Titus Tascius Pomponianus. 

9.15 am - I return to my taxi and we drive to the Villa San Marco. I see later from a map that what took a few kilometres by car is only a few meters. I could have walked it.

9.30 am - A smiling woman in a trouser suit leaves her kiosk to show me the Villa San Marco. She sets off towards a nearby farm, beckoning me to follow. I follow her through a farm courtyard, past some olive groves, a few sleeping dogs (this could almost be the farm of Flavia's Uncle Gaius), and past a more modern complex to the villa.

9.45 am - The first thing that strikes me is the huge swimming pool in the courtyard of the Villa San Marco. It is as wide as an Olympic swimming pool and twice as long! 

My guide has no English, and I have little Italian, so she gestures silently, like a game show hostess showing me the prizes on offer.

She shows me the enormous private bath complex, with its large sunken rectangular pool and the biggest hypocaust system (for heating water) I have seen on any ancient site. 


She shows me the lady's boudoir, with dark blue walls and little stars and a plaster sleeping platform on which to put a feather down mattress.

She shows me the charming atrium, with its four beautiful columns, Pompeian red at the base, then plaster mixed with marble dust and fluted to give the impression of real columns. 

9.50 am - Then my guide shows me the most enormous Roman kitchen I have ever seen. 

Most Roman kitchens have one or maybe two arched cooking platforms. Wood goes underneath, and coals lie on top, like a kind of indoor barbecue. This one has a cooking platform with FOUR arches and enough space on top to prepare a meal for one hundred! On the left a large stone sink! 


In a big airy dining-room about two storeys high is another famous fresco I recognise. Perseus, wearing Mercury's winged sandals and hat, is tiny, less than two feet tall. He calmly holds up the head of Medusa. The decapitated gorgon is not at all hideous. She looks quite mild and even coy. 

Suddenly there is a fluttering in the high rafters: a little sparrow. 

'Uccellino,' says my guide, gesturing at the bird and smiling apologetically, as if it's her fault he's trapped in this bright room. We watch him silently for a few minutes and make sympathetic faces. But there is nothing we can do, and we leave him there, fluttering above Perseus and his little Medusa.

9.55 am - As my female guide leads me away from the villa San Marco a curly-haired young man with a rucksack slung over one shoulder approaches. We converge outside the modern bungalow I noticed earlier. This is obviously the archaeologists' headquarters, the place where they catalogue shards of pottery and collect bits of mosaic. The young man greets my guide in Italian. They exchange a few words. Then he turns to me and introduces himself.

His name is Benjamin and he learned his English in London, in Wood Green. As we chat, a few of the other archaeologists poke their heads out of the doorway and beam at us. One of them has a truly impressive big beard, another looks like the American comedian Jon Lovitz: rotund and genial. There is another woman and a few older men. They confer among themselves then call out something to my guide. 'They want you to join us for breakfast,' grins Benjamin. 

'I'm afraid I can't. I have a taxi waiting for me; I've already been too long...' I smile at Big Beard and shrug apologetically. 

10.00 am - A few minutes later I find myself in a kind of lounge with all six of them. A sink and small cooker in one corner, a formica table, some shelves and chairs. On the table is a rectangular metal caterers' dish filled with a curious kind of food: chunks of wholemeal bread have been hollowed out and filled with an unidentifiable meat and some type of greens - broccoli leaves, I think. 

'They've been up since before 6.00 am', explains Benjamin, 'and they like a big breakfast.'

I've been up since before 6.00, too, but there's half a litre of sulphur water sloshing about in my stomach. I protest that I'm not really hungry and besides, my taxi is waiting for me... But they won't hear of it. Big Beard thrusts a 'lamb-butty' into my hand. As I take a few bites, they all laugh and chatter away happily in Italian. I notice they're drinking wine. 

'They say you must have some wine,' laughs Benjamin. 'It's home-made; they make it themselves...' Ah. So THAT'S what Italian archaeologists do all day... Big Beard reaches down into a green plastic crate and pulls out a glass bottle filled with something dark. It's the home-made wine.

'No. Don't open a new bottle for me. Really. I couldn't. I mean, it's not even 10.00 am yet! No, really. My poor taxi driver. Well, if you insist... grazie... No! Basta! Basta!' The liquid in my plastic cup is such a dark red it is almost black. It is fizzingly fresh, with purple foam on top, and incredibly powerful. I take a few sips and another bite of my sandwich. The archaeologists are really buzzing now, all talking and laughing at full volume. 

'I really must go,' I pleaded. 'If I didn't have a taxi waiting, I'd stay and...'

'No. They say you can't possibly go until you've had a coffee!' insists Benjamin. Within seconds 'Jon Lovitz' hands me a tiny plastic cup half full of rich, dark espresso. It's strong. Very strong. No wonder they're all buzzing!


10.15 am - I say goodbye to the archaeologists of the Villa San Marco and hurry to see if my young taxi driver is still waiting. He is. Leaning against the car, smoking a cigarette. When he sees me coming he flicks the butt into the dewy grass. Then opens my door and drives me back through the most chaotic spaghetti of traffic I have ever witnessed. Big cars, little cars, scooters, bicycles, buses all weaving and dancing and honking and doing U-turns and gesticulating... Apparently it's normal weekday traffic in Stabia. Heaven help them if the mountain blows! 

10.20 am - The taxi finally drops me at the train station of Via Nocera, which is closer than Castellammare di Stabia. I pay my faithful driver 50,000 lire, about £16 [or 15 euros at today's rates] which I think he well deserves

10.22 am - Waiting for a train, I have a sudden thought: Maybe I should try walking round the promontory from here! To see if it's possible... 

[to be continued]

P.S. For up-to-date information on the Villas at Stabia, visit the Restoring Ancient Stabia website and follow them on Twitter @fond_ras.

Tuesday, July 16, 2013

The Risky Escape by Aya Kodmani

As the first spark of sun entered the sky, my eyes shot open, today was Wednesday, This day, like every day, I had to fill up my water pail and drive the horses to their stables, 1 hurried down the steep staircase, with the horses' dull brown leathery reins and out of the door, heading to the gravelly horsefield.

The surrounding city was silent now except for a few of the early working farmers, milking the cows and goats, and their wives cooking and churning the creamy thick lemon yellow butter.

I tied up Lupus and Nubia (our horses) and patted their soft, silky hazelnut coats, After that, I led them a long way from the field, into the wooden boarded stable, They happily trotted in through the loose-
hinged door, eager and hungry to eat their morning meal of mouth-watering hay.

I grabbed a hard wooden pail, skipped to the little river and scooped a clean fresh pail of water. By now, the sun was scorching down on my pale light skin. As I headed back to my house, I could hear the noisy chattering children charging out of their thatched cottages, like excited bulls heading for the ring, hoping to meet their friends on the way to the market.

Suddenly, I noticed the sky was darkening. Great, thick, gloomy clouds seemed to appear in the huge sky and partially covered the mid-day sun. I heard crackling sounds. 1 started running as fast as my legs could carry me, back to tell father that Mount Vesuvius was rumbling. A layer of thick, grey, puffy soot up to three feet high fell onto the hot stony ground

"Father, Father!" I puffed. "I’m pretty sure 'Mount Vesuvius is erupting!"

My father immediately rushed off to get the big wooden boat out of the shed I followed, out of breath. He carried it with my help, onto the old cart, which had four, large, iron wheels.

Father quickly called for my mother, and of course my two sisters, to hurry into the wooden cart. We all sat on the edge of the cart feeling frightened of the monstrous mountain, the wind was rapidly blowing
like a tornado.

My father was speedily hitching up Lupus and Nubia to the cart. When we were all ready, father steered the rocking cart towards the turbulent, rough, angry sea.

When we arrived near the water's edge it was so windy that Cleo and I had not enough strength to drag the boat onto the sandy shore so, my mother gave crying baby Flavia to Cleo, and she, father and I  shoved and pushed and shoved again until finally the boat slipped into the shadow water, with us jumping and leaping into the boat that tossed against the choppy waves.

As we all sailed away, I looked back at the huge volcano covered with laughing flames and cackling lava bursting out of Mount Vesuvius. As I turned to tell Cleo to look hack at Pompeii, we saw poor slaves and farmers choking on big, heavy puffs of thick, dusty grey smoke. Some were being submerged with ash, others were being hit by painful, rocky, hard pumice stones and all were suffering from the heat.
"Aren’t you so glad that we escaped that big moment of terror? Don’t you feel so bad for those poor suffering people? I find it so sad!" I said solemnly.

"Yes, I agree. It's very sad. Imagine if we were those terrified people!" replied Cleo.

"We're lucky, aren't we?" We both agreed at the same time.

The End

No prizes for guessing why I love this winning entry of the 2012 Golden Sponge-stick Writing Competition by 8 year old Aya from Pembridge Hall School for Girls. But a prize for Aya in the shape of a Golden Sponge-stick Trophy! 

Saturday, June 01, 2013

A Day in the Life of a Roman Girl

Flavia Gemina, 10, is an amateur detective. She lives in the Roman port of Ostia with her father Marcus Flavius Geminus, her ex-slave-girl Nubia, her tutor Aristo, two slaves and two dogs. (This interview was given in November AD 79)

My dog Scuto wakes me at sunrise. He presses his cold nose into my face and I open my eyes to see his face looming in a big, panting grin. If I've been up late the night before, I roll over and go back to sleep. Scuto knows it's no good trying to wake me if I'm tired, so he goes downstairs to help our cook Alma prepare breakfast. She goes out to buy bread at cockcrow and is usually back by dawn.

a lyre
Presently I hear music - the sound of flute and lyre. Nubia usually practises with my tutor Aristo first thing in the morning. Nubia's about 11 - a little older than I am. She used to be my slave-girl but she saved my life so many times that finally I set her free. She still lives with us though. Now she's like my dark-skinned sister. If Scuto doesn't get me up, the music does.

Nubia coifs Flavia
Nubia likes clothes and jewellery but I'm not too bothered about all that. I lace up my sandals and slip on any old tunic, a short one in summer and a long one in winter. Then I go downstairs. Our house has a secret garden inside: nobody on the street can see it. In the center is a fountain. I splash some water on my face and have a drink. Then I use the latrine. This month it's my job to empty the latrine bucket every morning - but that's another story.

We all eat breakfast whenever we come downstairs: usually a warm poppy-seed roll and a piece of cheese in summer and a hot poculum made of spiced wine mixed with milk in winter.

a lararium or shrine
By the time I appear, pater is usually up and at work in his study, preparing for the day ahead. He calls the whole household together into the atrium and we watch him make the daily offering at the household shrine. It might be a honey-cake, or a piece of fruit, or a hyacinth-scented candle. Just something to keep the household gods happy. My father didn't used to be so pious... but that's another story.

After morning prayers, pater goes out: to the barber first and then to call on his patron. Then he goes to the harbour to work on his ship and do whatever a captain does when he's not on a voyage. Of course he's home at the moment because the sailing season is over; it won't begin again until late April.

Jonathan and his sister Miriam
After pater leaves, about an hour past dawn, Jonathan and Lupus come over for lessons. Jonathan is my next-door-neighbour. He's Jewish. We became friends after he saved me from some wild dogs... But that's another story. I like Jonathan because he makes me laugh.

Lupus is a boy we discovered once in the necropolis outside the town walls. He has no tongue and can't speak. He's a bit wild but very clever. He learned to read in less than a month and now he can write, too. We think he's about eight or nine years old.


Lupus' name means "wolf" in Latin
Lupus lives with Jonathan at the moment and they have lessons with me and Nubia. Jonathan's father Mordecai and my father came to some arrangement. I think Mordecai gives us free medical care in return: he's an excellent doctor.  Jonathan's older sister Miriam used to attend lessons with us, but now she's preparing to get married. She's fourteen and the most beautiful woman I've ever seen.

Aristo the Greek tutor
Aristo is a brilliant tutor. He's young and Greek and very handsome. (When I was younger I wanted to marry him, but now I'm too mature for such childish ideas.) He teaches us Latin literature, Greek language, mythology, philosophy and maths. Ugh! I hate maths. I hate it almost as much as I hate emptying the latrine bucket.

Lessons last until noon, when the gongs announce the opening of the public baths. Then we have a light lunch of bread and cheese and olives. Afterwards the adults take a siesta or go to the baths. That's usually when we conduct our investigations. But during the winter months - like now - Nubia likes to go to the baths, too. She says the only time she feels warm is in the hot, dry laconicum or the steamy sudatorium.

dining Roman style
Pater usually goes out to dinner about four hours past noon. He dines with his patron or one of his friends. In that case, Nubia and I have something light with Alma and Caudex. (Caudex is our door-slave and sometimes my bodyguard.) Occasionally pater entertains at home and sometimes we are invited. We never recline - well, only at the Saturnalia. We sit at a table in the middle of the triclinium while pater and his friends recline on the three couches around us.


reading by lamplight
We go to bed at sunset, or shortly after, which is nice in the summer but very frustrating in the winter. Alma says it's bad for my eyes, but sometimes I smuggle a scroll up to my bedroom and read by the light of my little clay oil-lamp. My favourite scroll at the moment is one by Apollodorus. He tells lots of Greek myths. I finally fall asleep and dream that I'm going on a quest with Jason or helping Hercules complete his tasks. My dreams are always in colour and they are very exciting. But they are never as exciting as my real life!

This interview is an excerpt from The Roman Mysteries Treasury, a glossy book based on the TV series based on my 17 book series The Roman Mysteries, which covers almost every imaginable aspect of life in Italy at the time of Mount Vesuvius's eruption. The Treasury is now out of print but you can still get the books and the TV series on DVD
Please mention The Roman Mysteries if quoting and acknowledge photos © LEG Ltd 2007. Thanks! 

Sunday, May 19, 2013

Which Temperament Are You?

The ancient Greeks and Romans believed that the world was made of four elements: Air, Earth, Water and Fire. Many of them also believed that human beings were full of liquids or HUMOURS that matched up with these elements.

Use of dry-cupping to suck "bad humours" out of a man in San Francisco  

The ancients (and some moderns) thought that everybody tends to have more of one 'humour' than the others. This excess could determine your TEMPERAMENT. Knowing which of the four 'temperaments' you were would also help ancient doctors prescribe a cure when you were sick. They could 'balance your humours' by either taking away the excess humours (through bleeding, vomit, enema, dry-cupping, etc.) or by building them up through diet. For example, if you had too much mucus they might prescribe a hot, dry baked rooster!

Here are the FOUR HUMOURS. 

Blood = Sanguine temperament = AIR
Black Bile (found in poo) = Melancholy temperament = EARTH
Phlegm (mucus) = Phlegmatic temperament = WATER
Yellow Bile (found in vomit) = Choleric temperament = FIRE

Try this Roman Mysteries Questionnaire to see which of the Four Temperaments you are:

(To download this questionnaire, go to my DORMOUSE page)


If you mainly ticked “a” then you are SANGUINE, like FLAVIA with extra BLOOD.
Enthusiastic but overbearing, you are often impulsive and take risks. You are cheerful, energetic and optimistic but you can also be impatient. You get bored easily and sometimes find it hard to stick to one task, flitting from one thing to another. Although you are apparently friendly, your friendships can be superficial.
Fun Fact about Sanguine Temperament: Ancients believed the extra blood often gave you PINK CHEEKS.

If you mainly answered “b”, you are MELANCHOLIC like JONATHAN, who often has too much BLACK BILE.
You are likely to be a perfectionist who overthinks things. You spot all the mistakes and errors in a plan and so you can seem critical. You can be stubborn, reserved and aloof. On the good side, you are sensitive, thoughtful and often creative. You are also grounded. People might call you a pessimist, but like Jonathan, you maintain you are a “realist”!
Fun Fact about Melancholic temperament: In medieval times people thought CATS were melancholic!

Did you mainly tick “c”? Then you are PHLEGMATIC like NUBIA and your extra "humour" is MUCUS.  Those of a phlegmatic temperament were considered to be patient, calm, nurturing, thoughtful, loyal and non-demanding. The downside is that – like Nubia – you can be overwhelmed the force of stronger personalities.

Fun Fact: Mucus makes you brave and steadfast. According to Pliny the Elder, some soldiers in ancient times drank a concoction of bull mucus and goat mucus to calm them down before a battle. This mixture was called SNORTEUM.

If you answered mainly “d” then you are CHOLERIC like LUPUS.
People of a choleric disposition are often hot-tempered. They can be pushy, bold, insensitive and risk-takers. On the plus side they are adventurous, enterprising and brave. Natural leaders, cholerics are often too independent to accept help or advice.
Fun Fact: The ancients believed that CURLY HAIR was one mark of the choleric temperament.

Sanguine Pooh Bear!
Don't worry if you don't fit easily into one of these categories. The ancients believed your temperament could change throughout the course of your life and even in the course of one day!

And don't try balancing the humours yourself, especially through bloodletting, vomiting or laxatives!

P.S. There is a great summary of the four humours by Christopher Hedley. He matches the four humours with characters from Winnie the Pooh! Winnie-the-Pooh = Sanguine; Eeyore = Melancholic; Piglet = Phlegmatic; Tigger = Choleric. And here's my riff on the humours in super heroes (below)!



Caroline Lawrence writes time machine books which will transport you back first century RomeWestern America in the early 1860s and Roman Britain. For more information, visit www.carolinelawrence.com.

Tuesday, February 14, 2012

Romance in Ancient Rome - a Quiz



Cupid on a crab

I) St Valentine was most probably
a) a Jewish priest
b) a Roman soldier
c) a Greek freedman
d) a Byzantine emperor

II) The Lupercalia was a mid-February Roman fertility festival. Which of these was NOT a feature?
a) setting doves free
b) half-naked youths
c) goat sacrifice
d) striking people with leather thongs

III) In first century Rome, the most popular month for marriage was
a) April
b) May
c) June
d) July


14 yr old Miriam the bride
IV) Who was Cupid's mother?
a) Minerva (Athena)
b) Venus (Aphrodite)
c) Juno (Hera)
d) Helen of Troy

V) When Pliny the 'Younger' was older he married
a) a besotted 14-year-old girl
b) his niece
c) the Emperor Domitian's niece
d) Cleopatra's niece

VI) The Romans believed the best finger for a wedding ring was
a) the middle finger of the left hand
b) the middle finger of the right hand (the left was unlucky)
c) the fourth finger of the left hand (like today)
d) the fourth finger of the right hand (the left was unlucky)

VII) The legal age for a girl to marry in first century Rome was
a) 10
b) 12
c) 14
d) 16


The Sirens of Surrentum
VIII) The legal age for a girl to become betrothed (engaged) in first century Rome was
a) any age
b) not younger than 6
c) not younger than 8
d) not younger than 10 (decreed Augustus)

IX) The most common cause of death among young women in ancient Rome was
a) malaria
b) measles
c) Latin
d) childbirth

X) The word 'genuine' comes from the Latin
a) genu 'knee' - because the father took his newborn on his knee to acknowledge it was his.
b) genus 'noble birth' - because if you were of noble birth you were a genuine aristocrat.
c) gens 'family' - because only the genuine members of the family could inherit.
d) genius 'guardian spirit' - because this spirit only protected the genuine family members.


Flaccus gives Flavia a love-poem
Bonus fact: Did you know the words 'Roman' and 'Romance' are linked? Also, Roma backwards is amor!

[If you want to learn more about Roman romance, read The Roman Mysteries, especially The Sirens of Surrentum, which has kissing from the very first line. You might also want to check out a blog I wrote about Romantic Roman Artefacts. Some of the pictures in this blog are from the Roman Mysteries TV series, available on iTunesUKCarrying on from the Roman Mysteries, the Roman Quests series set in Roman Britain launched in May 2016 with Escape from Rome.]

P.S. The answers: 1 (b); 2 (a); 3 (c); 4 (b); 5 (a); 6 (c); 7 (b); 8 (d); 9 (d); 10 (a)